Today! Because I saved Latin – what did you ever do?
Directed by Wes Anderson (x5)
Starring: Jason Schwartzman (x6), Bill Murray (x14), Olivia Williams, Brian Cox (x8), Luke Wilson (x5), Seymour Cassel (x4), Kumar Pallana (x3), Mason Gamble, Sara Tanaka (x2), Connie Nielsen, Andrew Wilson (x4), Stephen McCole
On the high end of this list, historically, I go back and forth between my favorite Wes Anderson movie and my favorite Bill Murray movie. Anderson flip flops between Rushmore and Tenenbaums, while Murray as you may have noticed has like five films out of the last fifteen, so there is a constant rotation. But more often than not, it works out that Rushmore is the top film for both, as it is here.
As mentioned in probably all the previous four Anderson movie posts, his style would get solidified in the years immediately after Tenenbaums, even though most of the elements that would define his films were introduced there. Rushmore functions as more of the raw version of this concept – the heightened reality of his world isn’t as much on display, even though things are pretty aggressively off-kilter at Rushmore Academy. The likable asshole main characters here are probably just a smidge more likable than, say, Royal Tenenbaum or Steve Zissou or Gustave H, as at least Max Fischer and Herman Blume are driven and twisted by love, and who can’t relate to that?