Tag Archives: Jason Robards

The Set of 400: #73 – My Favorite Bicycle Joust

Today! Because if it were our plane, it would be crashing –

Quick Change (1990)

Directed by Bill Murray and Howard Franklin

Starring Bill Murray (x8), Geena Davis (x3), Randy Quaid (x4), Jason Robards (x3), Phil Hartman (x2), Tony Shalhoub (x3), Philip Bosco (x3), Bob Elliott, Jack Gilpin, Reg E. Cathey, Jamey Sheridan, Kurtwood Smith (x2), Kathryn Grody, Stanley Tucci (x2), Victor Argo

If there was one Bill Murray movie that could be described as criminally underseen (for quality and also pun reasons) it would be Quick Change (with the possible exception of Nothing Lasts Forever). It wasn’t a big hit in its day – marketing issues, maybe? – but did land on cable repeatedly in that sweet spot period for me in the early ’90s, thus I began a long affection for this sorta dark, sorta zany bank robbery comedy. Because it has been a minor part of my life for so long, I have a random array of stories connected to it, so bear with me for a bit.

But first, hunt up Nothing Lasts Forever – it’s bananas

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The Set of 400: #217 – My Favorite Adult Braces

Today! Because it’s not going to stop/’Til you wise up –

Magnolia (1999)

Directed by Paul Thomas Anderson (x4)

Starring Tom Cruise (x3), Philip Seymour Hoffman (x4), Julianne Moore, John C. Reilly (x4), William H. Macy, Jason Robards (x2), Melora Walters, Ricky Jay, Alfred Molina (x3), Felicity Huffman, Melinda Dillon (x2), Luis Guzman (x3), Philip Baker Hall (x3), Thomas Jane (x2), Michael Murphy (x3), Henry Gibson (x3), Neil Flynn (x2), Patton Oswalt, Jim Meskimen (x2), Jeremy Blackman, Michael Bowen, Cleo King, Clark Gregg (x3)

Like many people, my initial reaction to Magnolia was that I had a problem with the ending. For everything else going on in this movie – and there is a ton going on here – the natural takeaway, as it is the climax of the movie, is “What the hell is all this with the frogs now?” But, come on, how else was it going to end? Isn’t it obvious that the solution to all the crazy pent up drama is for the sky to open up and drench the city in biblically apocalyptic frogs? No?

I mean, this kid seemed to dig it

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The Set of 400: #275 – My Favorite Bye Bye Blackbird

Today! Because they didn’t burn down Rome in one day – you got to keep pluggin’ –

Melvin and Howard (1980)

Directed by Jonathan Demme

Starring Paul Le Mat, Mary Steenburgen, Jason Robards, Michael J. Pollard, Gloria Grahame, Robert Ridgely (x2), Charles Napier, Jack Kehoe (x2), Pamela Reed, John Glover (x3), Dabney Coleman, Elizabeth Cheshire

A very deceptive movie in its marketing and general awareness, Melvin and Howard ostensibly is about when milkman and all-around blue collar shlub Melvin Dummar met billionaire/eccentric/nutcase Howard Hughes in the desert one night and gave him a lift home. This is the scene that opens the film, and then isn’t mentioned again, for about an hour. And because of the bookending of the film with constant Hughes intrigue, not only did that become the focus of the movie, but everyone tends to forget the middle hour, as we watch the daily employment and marital struggles of Melvin, which is the key to the whole story.

Grizzled!

Otherwise, what really are you left with? Sure, Robards makes a great Hughes, but he’s in the movie for about ten minutes, and then is just mentioned endlessly, making it feel like he’s a much larger character. In fairness, the movie should’ve been titled Melvin and Lynda, as Mary Steenburgen has far more and trickier acting to handle, and rightfully won an Oscar for her efforts. The spurious will and debate is intriguing, and knots the whole film together, but (and this shouldn’t be much of a spoiler) with Melvin never really having a chance at the Hughes fortune, the dramatic heart of the movie defaults to Melvin’s good-natured bouncing from one setback to another across the story. You might be more an American Graffiti fan, but for my money, this is Paul Le Mat’s best work. Melvin could come off as a doofus, or a con man, or just super pathetic, but Le Mat’s delicate balance between these shades make for more of an endearing character than he probably deserves. Steenburgen and Robards got the lion’s share of attention, but it’s Le Mat’s steady work that drives the movie. Continue reading

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