Tag Archives: Kurtwood Smith

The Set of 400: #73 – My Favorite Bicycle Joust

Today! Because if it were our plane, it would be crashing –

Quick Change (1990)

Directed by Bill Murray and Howard Franklin

Starring Bill Murray (x8), Geena Davis (x3), Randy Quaid (x4), Jason Robards (x3), Phil Hartman (x2), Tony Shalhoub (x3), Philip Bosco (x3), Bob Elliott, Jack Gilpin, Reg E. Cathey, Jamey Sheridan, Kurtwood Smith (x2), Kathryn Grody, Stanley Tucci (x2), Victor Argo

If there was one Bill Murray movie that could be described as criminally underseen (for quality and also pun reasons) it would be Quick Change (with the possible exception of Nothing Lasts Forever). It wasn’t a big hit in its day – marketing issues, maybe? – but did land on cable repeatedly in that sweet spot period for me in the early ’90s, thus I began a long affection for this sorta dark, sorta zany bank robbery comedy. Because it has been a minor part of my life for so long, I have a random array of stories connected to it, so bear with me for a bit.

But first, hunt up Nothing Lasts Forever – it’s bananas

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The Set of 400: #290 – My Favorite Insurance Convention

Today! Because I do a pretty convincing Omar from the HBO program, The Wire – 

Cedar Rapids (2011)

Directed by Miguel Arteta

Starring Ed Helms (x2), John C. Reilly (x3), Anne Heche, Sigourney Weaver (x3), Isiah Whitlock Jr., Stephen Root (x2), Alia Shawkat, Kurtwood Smith, Thomas Lennon (x3), Rob Corddry, Mike O’Malley, Mike Birbiglia

A movie that snuck in and out of theaters with little fanfare, Cedar Rapids is a terrific character-driven comedy about a rollicking business trip to Iowa as the backdrop to personal and professional crossroads. Director Arteta (of Chuck & Buck fame) compiled a fantastic cast of comedy greats, working from a script by Phil Johnston, who would go on to write a pair of tremendous animated films – Wreck it Ralph and Zootopia. 

But yeah, this little indie – filmed through some tax breaks, I assume, not in Cedar Rapids, but the equally uncinematic Ann Arbor, Michigan (sorry, Wolverines fans) – didn’t crack $7 million total at the box office, and doesn’t seem to have a second life on cable, yet, so far as I can tell. Maybe there is a little too much adult melancholy surrounding the wilder sequences in the film – massive drug parties, semi-nude hotel shenanigans – so that it crossed up the marketers and the audiences alike. It’s hard to say the demographic this is aimed at, exactly, but probably not the age group who would really enjoy this type of movie – high-brow-ish masquerading as low-brow-ish. Medium brow? Is that a filmic delineation?

Maeby Funke straddles this line particularly well herein

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