Tag Archives: Philip Baker Hall

The Set of 400: #23 – My Favorite Indoor Fireworks Display

Today! Because I think you have the job, but why don’t I make sure of something –

Boogie Nights (1997)

Directed by Paul Thomas Anderson (x5)

Starring Mark Wahlberg (x2), Burt Reynolds (x2), Julianne Moore (x4), John C. Reilly (x7), Don Cheadle (x4), Heather Graham (x4), Philip Seymour Hoffman (x8), William H. Macy (x3), Ricky Jay (x2), Melora Walters (x3), Nina Hartley, Nicole Ari Parker, Thomas Jane (x4), Alfred Molina (x4), Luis Guzman (x5), Philip Baker Hall (x7), Robert Ridgely (x6), Joanna Gleason (x2), Jack Wallace, Michael Jace (x2), Jack Riley (x5), Robert Downey Sr.

My favorite movie from one of my favorite years, Boogie Nights kicked off my multi-decade love affair with Paul Thomas Anderson films, nearly all of which landed on this list. Sarah, who is not exactly a PTA fan, has proclaimed that his most recent film (as of this writing) Phantom Thread is the “only real movie I’ve ever seen.” Dissect that statement as you will! But it all began with what I would categorize as his most accessible, mainstream film, even if it is a period epic set in the porn industry.

The unceasing greatness of Rollergirl cannot be overstated

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The Set of 400: #28 – My Favorite Counterfeit $20s

Today! Because you didn’t know I was lying to you when you lied to me down by the river. So as far as you knew, you lied to me first –

Midnight Run (1988)

Directed by Martin Brest

Starring Robert De Niro (x7), Charles Grodin (x3), Dennis Farina (x3), Joe Pantoliano (x5), Yaphet Kotto, John Ashton (x2), Jack Kehoe (x3), Philip Baker Hall (x6), Lois Smith (x2), Tracey Walter (x2), Richard Foronjy, Wendy Phillips, Tom McCleister, Danielle DuClos

On some level, I didn’t know this movie had any awareness at all until that Rick and Morty episode where they drop Jerry off at the interplanetary day care for Jerrys, and they all watch Midnight Run with the DVD commentary (which I’ve never done, but sounds amazing). Like, you never hear anyone mention this movie, it wasn’t a particularly big hit in its day, sure it had a few minor award nominations (Best Comedy/Musical and Actor at the Globes, Top Ten film from the National Board of Review), but that’s about it. I secretly believed that maybe this was a minor wonder of a film that me and a handful of people watching daytime syndicated channels in the early ’90s knew about at all.

I also vaguely remember a story where John Ashton (tremendous here as rival bounty hunter Marvin Dorfler) got cast in…something because the filmmakers were big Midnight Run fans, but for the life of me I can’t remember the movie, or find this story on the internet. Gone Baby Gone, maybe? He’s got a ton of credits, but not much that I’ve seen, and would’ve likely brushed up against this tidbit. Anyone hear this story?

Dorfler!

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The Set of 400: #48 – My Favorite Soundstage Visible from Space

Today! Because we accept the reality of the world with which we’re presented. It’s as simple as that –

The Truman Show (1998)

Directed by Peter Weir

Starring Jim Carrey (x4), Ed Harris (x3), Laura Linney, Noah Emmerich, Natascha McElhone, Paul Giamatti, Holland Taylor (x2), Philip Baker Hall (x5), Harry Shearer (x4), Peter Krause, O-Lan Jones (x2), Joel McKinnon Miller, Tom Simmons, Brian Delate

I’m not sure at the time if we saw this movie as just a bit of science fiction or as a prescient blueprint, but either way, The Truman Show either accurately predicted what much of cable and network television would become over the next two decades, or it inspired the transformation. Sure, EDtv covered the same ground the following year (and the ’80s rebooted Twilight Zone episode “Special Service” some distance before), and was technically a little closer to the ultimate reality of reality television, plus it’s not like there had never been some version of this in actual practice – the 1973 PBS docu-series An American Family and MTV’s The Real World, most notably – but it wasn’t an omnipresent phenomenon like it would become in the 21st century. Within three years of Truman Show‘s release, the Emmys had a category for Outstanding Reality Program and in four years we had The Osbournes, popularly acknowledged as the beginning of the people having their lives filmed for entertainment craze. YouTube came along three years later, and now anyone could theoretically have their whole existence broadcast for consumption. Ah, what a time this has been to be alive!

Maybe it’s these jackasses who deserve all the blame

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The Set of 400: #186 – My Favorite Heavily Mirrored Berth

Today! Because I always thought it would be better to be a fake somebody than a real nobody –

The Talented Mr. Ripley (1999)

Directed by Anthony Minghella

Starring Matt Damon (x4), Gwyneth Paltrow (x3), Jude Law (x2), Cate Blanchett (x3), Philip Seymour Hoffman (x5), James Rebhorn (x2), Philip Baker Hall (x4), Jack Davenport, Sergio Rubini, Celia Weston

Ah, 1999! My fourth and fifth semesters of college really landed a lot of movies on this list – here we are at eleven already! – and I’m also surprised to find 1998 with only six, and none so far. Those are six pretty high ranking films! As I’ve mentioned, I consider the corridor of 1997-1999 as one of the best in film history (this is also possibly due to my finally being able to drive in this time period), and so films from this era keep cropping up.

A wonderfully atmospheric, psychological thriller, The Talented Mr. Ripley takes Patricia Highsmith’s solid murder yarn and elevates it to great cinema through a bevy of sterling performances and Minghella’s solid writing and directing – his best of the ’90s (Yeah, you heard me, English Patient!). Matt Damon was coming off Good Will Hunting, Gwyneth had just won an Oscar for Shakespeare in Love, and Cate Blanchett had just been robbed of that same Oscar for Elizabeth. This film also launched Jude Law – even if his career got way uneven for a long time afterward – snagging the film its only acting Oscar nomination as the object of everyone’s desire, Dickie Greenleaf.

I mean, obviously, right?

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The Set of 400: #217 – My Favorite Adult Braces

Today! Because it’s not going to stop/’Til you wise up –

Magnolia (1999)

Directed by Paul Thomas Anderson (x4)

Starring Tom Cruise (x3), Philip Seymour Hoffman (x4), Julianne Moore, John C. Reilly (x4), William H. Macy, Jason Robards (x2), Melora Walters, Ricky Jay, Alfred Molina (x3), Felicity Huffman, Melinda Dillon (x2), Luis Guzman (x3), Philip Baker Hall (x3), Thomas Jane (x2), Michael Murphy (x3), Henry Gibson (x3), Neil Flynn (x2), Patton Oswalt, Jim Meskimen (x2), Jeremy Blackman, Michael Bowen, Cleo King, Clark Gregg (x3)

Like many people, my initial reaction to Magnolia was that I had a problem with the ending. For everything else going on in this movie – and there is a ton going on here – the natural takeaway, as it is the climax of the movie, is “What the hell is all this with the frogs now?” But, come on, how else was it going to end? Isn’t it obvious that the solution to all the crazy pent up drama is for the sky to open up and drench the city in biblically apocalyptic frogs? No?

I mean, this kid seemed to dig it

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The Set of 400: #274 – My Favorite Airport Storyboard Movie Pitch

Today! Because if I’m doing a fake movie, it’s gonna be a fake hit –

Argo (2012)

Directed by Ben Affleck

Starring Ben Affleck, Alan Arkin (x2), John Goodman (x2), Scoot McNairy, Victor Garber (x3), Bryan Cranston, Kyle Chandler (x2), Tate Donovan, Chris Messina, Philip Baker Hall (x2), Rory Cochrane, Clea DuVall (x2), Titus Welliver, Bob Gunton (x2), Richard Kind (x2), Richard Dillane, Adrienne Barbeau, Taylor Schilling, Christopher Denham, Zeljko Ivanek

When we as a people rose up and decried in one voice that we would not allow the slighting of Ben Affleck to continue for one goddamn minute longer, Argo became the surprise Best Picture winner of 2012, despite not receiving a Best Director nomination – as rare a thing to happen at the Oscars as any. And the pointed reason for this win is attributed to this general outrage of Affleck being overlooked, which I don’t really understand. Not the overlooking (even though it was probably a little unfair), but the outrage. Why did everyone care so much? And in a year that I will go to the wall to defend as one of the best in film history? It’s not like there weren’t other deserving and/or better films available. So why did everyone lose their minds over the nominations?

Like, did this seriously have to happen?

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The Set of 400: #278 – My Favorite Dirty Harry Inspiration

Today! Because I am not the Zodiac. And if I were, I certainly wouldn’t tell you –

Zodiac (2007)

Directed by David Fincher

Starring Jake Gyllenhaal, Mark Ruffalo, Robert Downey Jr. (x3), Brian Cox (x2), John Carroll Lynch (x2), Anthony Edwards, Chloe Sevigny, Elias Koteas, Dermot Mulroney, Donal Logue (x2), Philip Baker Hall, Zach Grenier (x2), Adam Goldberg, Charles Fleischer (x2), Paul Schulze, John Getz, June Diane Raphael, Candy Clark, Jimmi Simpson, Clea DuVall

Not so much concerned with unearthing who the killer was (even though it does present a theory), Zodiac primarily follows the lives of San Francisco Chronicle cartoonist Robert Graysmith and S.F. detective Dave Toschi, and their respective obsessions with the case as it unfolds and in the subsequent years, as the trail runs maddeningly cold. It’s an expansive ’60s/’70s epic in the hands of the premiere murder mystery director of our time (Se7en, Gone Girl) – and one of the sure thing, must-run-out-and-see-whatever-he-does filmmakers – David Fincher.

And it is exhaustive. Covering the source material in great detail, and trying to encapsulate well over a decade in these characters’ lives, the movie naturally was going to be lengthy, but it manages to clip right along, even feeling a bit rushed in parts, pouring out details and recounting theories at a steady clip. But keeping the engine running solidly are the terrific performances of Gyllenhaal and Ruffalo as Graysmith and Toschi, plus a just pre-Iron Man Downey as self-destructive reporter Paul Avery. The Downey comeback was well underway by ’07 – what with Kiss Kiss Bang Bang, Good Night and Good Luck, and A Scanner Darkly in the preceding years – but Zodiac seemed to cement the fact that he was solidly reliable, and a little over a year later he was superheroing it up at Marvel.

’70s Banner and Stark!

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