Tag Archives: Kyle Chandler

The Set of 400: #258 – My Favorite Ice Skating Date (Mixed Doubles)

Today! Because there’s only one creature capable of leaving a footprint that size –

King Kong (2005)

Directed by Peter Jackson (x2)

Starring Naomi Watts, Adrien Brody (x2), Jack Black (x4), Andy Serkis (x2), Thomas Kretschmann, Colin Hanks, Jamie Bell, Kyle Chandler (x3), Evan Parke, Lobo Chan, John Sumner, Craig Hall, Geraldine Brophy

I’m rarely going to criticize a film for being long. I might say it goes on a bit, or it has some slow parts, or it’s a tad long, but for the most part, I’m not easily bored. I worked at calendar stores in August and September during college – I know from boring. All that being said, I fully agree that Peter Jackson’s King Kong is obscenely too long. I feel like Jackson came down with a case of the J.K. Rowlings in 2005 – after a period of wild success, no one was willing to step up and reign them in, and say that perhaps these stories didn’t need to be 800 pages/three-plus hours long. And so, we have to wait forever for Kong to actually appear in this movie. It’s not like I don’t enjoy all the CGI bugs and whatnot, but somewhere along the way, a little nudge from the studio or somebody to be like “Is this really necessary?” would’ve gone a long way to alleviating our collective sore ass.

Seriously, Jesus, I could’ve lived without this in the memory

All that being said – and hell, it always needs to be mentioned with this film – King Kong is a terrific movie. I was never a huge fan of the 1933 original – I recognize it for the inventive, groundbreaking effects marvel it is, but come on, it’s a bit creaky by today’s standards – and saw the cheesy 1976 version a bunch as a kid, but never had a lingering affinity. So Kong was much like Godzilla, Mothra, Gamera, and the rest of the big, silly, rubber suit monsters of weekend afternoon television. It wasn’t serious entertainment. It was cheap nonsense with cardboard sets. Continue reading

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The Set of 400: #274 – My Favorite Airport Storyboard Movie Pitch

Today! Because if I’m doing a fake movie, it’s gonna be a fake hit –

Argo (2012)

Directed by Ben Affleck

Starring Ben Affleck, Alan Arkin (x2), John Goodman (x2), Scoot McNairy, Victor Garber (x3), Bryan Cranston, Kyle Chandler (x2), Tate Donovan, Chris Messina, Philip Baker Hall (x2), Rory Cochrane, Clea DuVall (x2), Titus Welliver, Bob Gunton (x2), Richard Kind (x2), Richard Dillane, Adrienne Barbeau, Taylor Schilling, Christopher Denham, Zeljko Ivanek

When we as a people rose up and decried in one voice that we would not allow the slighting of Ben Affleck to continue for one goddamn minute longer, Argo became the surprise Best Picture winner of 2012, despite not receiving a Best Director nomination – as rare a thing to happen at the Oscars as any. And the pointed reason for this win is attributed to this general outrage of Affleck being overlooked, which I don’t really understand. Not the overlooking (even though it was probably a little unfair), but the outrage. Why did everyone care so much? And in a year that I will go to the wall to defend as one of the best in film history? It’s not like there weren’t other deserving and/or better films available. So why did everyone lose their minds over the nominations?

Like, did this seriously have to happen?

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The Set of 400: #388 – My Favorite Paper Cut Riddled Sex Scene

Today! Because it was like mainlining adrenaline –

The Wolf of Wall Street (2013)

Directed by Martin Scorsese

Starring Leonardo DiCaprio, Jonah Hill, Margot Robbie, Matthew McConaughey, Kyle Chandler, Rob Reiner, Jon Bernthal, Jon Favreau, Jean Dujardin, Shea Wiggam, Christine Ebersole, Cristin Milioti, Joanna Lumley, Ethan Suplee, Thomas Middleditch, Kenneth Choi, Katarina Cas, P.J. Byrne, Brian Sacca, Henry Zebrowski

My third favorite Scorsese/DiCaprio outing felt like a glorious return to vulgar form for Marty, following the excellent kid-centric Hugo in 2011. He never stopped making good-to-great movies, but Wolf so revels in the obscene decadence of unabashed douchebag Jordan Belfort’s life that it is more reminiscent of Goodfellas than anything Scorsese has made since. It is also by far his funniest movie, whether that was the original intention when rights were purchased or not. The excellent, epic screenplay by Sopranos/Boardwalk Empire helmer Terence Winter turns what could’ve been a harrowing, drug-fueled Wall Street knock-off into a hilarious Scarface/Bachelor Party hybrid. DiCaprio was never better, and was roundly robbed of the Oscar by co-star McConaughey for Dallas Buyers Club, thus enabling him to later win for the lesser work in The Revenant (I know this the second post already where I take swipes at Revenant, which isn’t a movie I realized I didn’t care for until this month). Also, if Jonah Hill and Margot Robbie don’t win Oscars in the next decade, I’ll be surprised – put me on record saying it! Continue reading

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