Tag Archives: Rob Reiner

The Set of 400: #237 – My Favorite Poisonous Battle of Wits

Today! Because you keep using that word. I do not think it means what you think it means –

The Princess Bride (1987)

Directed by Rob Reiner

Starring Cary Elwes (x5), Robin Wright, Mandy Patinkin, Andre the Giant, Chris Sarandon (x2), Wallace Shawn (x2), Billy Crystal, Carol Kane (x2), Peter Falk (x2), Fred Savage, Christopher Guest, Peter Cook, Mel Smith

As perfect a movie with as goofy a framing device as exists, The Princess Bride functions so well as a storybook fantasy, a love story, a swashbuckling, sword-fighting epic, and an out-and-out comedy that maybe the criticism could be that it does too much? Like, doesn’t this one movie seem like it could’ve been a great five season TV show, from, like, Starz? Maybe if it was written today it would be. But don’t give anyone the idea!

But yes, the sweeping tale of Wesley and Buttercup travels to distant lands, encounters monsters and giants and wizards, features much swordplay and vengeance, and is couched in our world, with Peter Falk’s grandfather reading the book to Fred Savage as he’s sick in bed. Why? I’m not totally sure. And I don’t know why it has always bothered me – it’s an intrinsic part of the movie, used to continually break up the action and mood with these cutaway scenes to 1980s Chicago to keep reestablishing the narrative. I know it’s a thing movies do, but I just don’t get why it’s here. Seriously, when you’re watching Princess Bride, are you anxiously awaiting the next smash back to Fred Savage’s “Kissing is yucky” nonsense?

At least he’s dedicated to the Monsters of the Midway. Bear down!

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The Set of 400: #388 – My Favorite Paper Cut Riddled Sex Scene

Today! Because it was like mainlining adrenaline –

The Wolf of Wall Street (2013)

Directed by Martin Scorsese

Starring Leonardo DiCaprio, Jonah Hill, Margot Robbie, Matthew McConaughey, Kyle Chandler, Rob Reiner, Jon Bernthal, Jon Favreau, Jean Dujardin, Shea Wiggam, Christine Ebersole, Cristin Milioti, Joanna Lumley, Ethan Suplee, Thomas Middleditch, Kenneth Choi, Katarina Cas, P.J. Byrne, Brian Sacca, Henry Zebrowski

My third favorite Scorsese/DiCaprio outing felt like a glorious return to vulgar form for Marty, following the excellent kid-centric Hugo in 2011. He never stopped making good-to-great movies, but Wolf so revels in the obscene decadence of unabashed douchebag Jordan Belfort’s life that it is more reminiscent of Goodfellas than anything Scorsese has made since. It is also by far his funniest movie, whether that was the original intention when rights were purchased or not. The excellent, epic screenplay by Sopranos/Boardwalk Empire helmer Terence Winter turns what could’ve been a harrowing, drug-fueled Wall Street knock-off into a hilarious Scarface/Bachelor Party hybrid. DiCaprio was never better, and was roundly robbed of the Oscar by co-star McConaughey for Dallas Buyers Club, thus enabling him to later win for the lesser work in The Revenant (I know this the second post already where I take swipes at Revenant, which isn’t a movie I realized I didn’t care for until this month). Also, if Jonah Hill and Margot Robbie don’t win Oscars in the next decade, I’ll be surprised – put me on record saying it! Continue reading

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