Tag Archives: Robin Wright

The Set of 400: #36 – My Favorite Million Dollar Wound

Today! Because we was always taking long walks, and we was always looking for a guy named Charlie –

Forrest Gump (1994)

Directed by Robert Zemeckis (x5)

Starring Tom Hanks (x7), Robin Wright (x3), Sally Field (x3), Gary Sinese, Mykelti Williamson, Haley Joel Osment (x2), Sam Anderson, Siobhan Fallon (x3), Afemo Omilami, Michael Jace, Richard D’Alessandro, Dick Cavett (x2), Michael Conner Humphreys, Hanna Hall

To be a fan of Forrest Gump in 1994 was decidedly uncool. This was a year of pretty bad ass, cutting edge cinema – what with Speed and Pulp Fiction and The Shawshank Redemption and True Lies and that baddest ass shouting match in cinema history, #317 Blue Chips. ’94 had it all for bros and dudes alike. And then you had Forrest Gump. Everyone’s mom loved Forrest Gump. The soundtrack was straight out of 1969. It had a boatload of dopey quotes and silly cameos by Elvis and John Lennon. It boiled down all of American history and southern racism into little bite sized comedic nuggets, and then hurled AIDS into the mix just to find an ending. Dammit, Forrest Gump!

This is the same movie where he tells LBJ he got shot in the buttocks!

However, as the years went by, and the general schmaltziness of this movie dissipated once it no longer had to be directly compared to the other films of ’94, Gump sort of rose above its initial impressions. I mean, it was a massive hit in its day, and it won Best Picture against all odds, fairness, and logic, so it’s not like it needed to find an audience or acceptance or anything, but for the slightly snobby guy element, obsessed with the vanguard of exciting new cinema in the early ’90s, Gump was a sugary throwback epic, even for all its fancy special effects. I enjoyed it well enough the first time around, but ’94 was just too much cinematically for a full embrace of this movie. Continue reading

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The Set of 400: #221 – My Favorite Revenge Tattoo

Today! Because I want you to help me catch a killer of women –

The Girl with the Dragon Tattoo (2011)

Directed by David Fincher (x2)

Starring Rooney Mara, Daniel Craig (x2), Christopher Plummer, Stellan Skarsgard (x2), Robin Wright (x2), Joely Richardson, Geraldine James (x3), Steven Berkoff, Yorick van Wageningen, Goran Visnjic, Elodie Yung, Joel Kinnaman, Julian Sands, Donald Sumpter

I’ll tell you right off – I wasn’t a huge fan of the book, to the point that I never bothered reading the rest of the trilogy. I thought the plotting was interesting, but the writing was kinda dull, and it’s a bit overlong. So my expectations when they were making this movie weren’t super high. I also never watched the original Swedish Noomi Rapace versions – I meant to, as I’ve heard they are solid, but again, didn’t love the book, and then once this movie actually came out, I didn’t want to spoil the (potential, unrealized) sequels.

Rapace does look pretty bad-ass – might be time I finally watched these

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The Set of 400: #237 – My Favorite Poisonous Battle of Wits

Today! Because you keep using that word. I do not think it means what you think it means –

The Princess Bride (1987)

Directed by Rob Reiner

Starring Cary Elwes (x5), Robin Wright, Mandy Patinkin, Andre the Giant, Chris Sarandon (x2), Wallace Shawn (x2), Billy Crystal, Carol Kane (x2), Peter Falk (x2), Fred Savage, Christopher Guest, Peter Cook, Mel Smith

As perfect a movie with as goofy a framing device as exists, The Princess Bride functions so well as a storybook fantasy, a love story, a swashbuckling, sword-fighting epic, and an out-and-out comedy that maybe the criticism could be that it does too much? Like, doesn’t this one movie seem like it could’ve been a great five season TV show, from, like, Starz? Maybe if it was written today it would be. But don’t give anyone the idea!

But yes, the sweeping tale of Wesley and Buttercup travels to distant lands, encounters monsters and giants and wizards, features much swordplay and vengeance, and is couched in our world, with Peter Falk’s grandfather reading the book to Fred Savage as he’s sick in bed. Why? I’m not totally sure. And I don’t know why it has always bothered me – it’s an intrinsic part of the movie, used to continually break up the action and mood with these cutaway scenes to 1980s Chicago to keep reestablishing the narrative. I know it’s a thing movies do, but I just don’t get why it’s here. Seriously, when you’re watching Princess Bride, are you anxiously awaiting the next smash back to Fred Savage’s “Kissing is yucky” nonsense?

At least he’s dedicated to the Monsters of the Midway. Bear down!

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