Tag Archives: Chris Sarandon

The Set of 400: #237 – My Favorite Poisonous Battle of Wits

Today! Because you keep using that word. I do not think it means what you think it means –

The Princess Bride (1987)

Directed by Rob Reiner

Starring Cary Elwes (x5), Robin Wright, Mandy Patinkin, Andre the Giant, Chris Sarandon (x2), Wallace Shawn (x2), Billy Crystal, Carol Kane (x2), Peter Falk (x2), Fred Savage, Christopher Guest, Peter Cook, Mel Smith

As perfect a movie with as goofy a framing device as exists, The Princess Bride functions so well as a storybook fantasy, a love story, a swashbuckling, sword-fighting epic, and an out-and-out comedy that maybe the criticism could be that it does too much? Like, doesn’t this one movie seem like it could’ve been a great five season TV show, from, like, Starz? Maybe if it was written today it would be. But don’t give anyone the idea!

But yes, the sweeping tale of Wesley and Buttercup travels to distant lands, encounters monsters and giants and wizards, features much swordplay and vengeance, and is couched in our world, with Peter Falk’s grandfather reading the book to Fred Savage as he’s sick in bed. Why? I’m not totally sure. And I don’t know why it has always bothered me – it’s an intrinsic part of the movie, used to continually break up the action and mood with these cutaway scenes to 1980s Chicago to keep reestablishing the narrative. I know it’s a thing movies do, but I just don’t get why it’s here. Seriously, when you’re watching Princess Bride, are you anxiously awaiting the next smash back to Fred Savage’s “Kissing is yucky” nonsense?

At least he’s dedicated to the Monsters of the Midway. Bear down!

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The Set of 400: #379 – My Favorite Self Lobotomy

Today! Because you aren’t comprehending the position that you’re in –

The Nightmare Before Christmas (1993)

Directed by Henry Selick

Starring Danny Elfman, Chris Sarandon, Catherine O’Hara, William Hickey, Glenn Shadix, Paul Reubens, Ken Page, Edward Ivory, Greg Proops

As the years have gone by, The Nightmare Before Christmas has become more and more a vehicle to sell tie-in merchandise. Disney’s not one to let these sort of opportunities slide, so even though it was fairly successful in its initial release, it quickly morphed into something very different. And it’s nice that this movie found an audience – it is a terrific piece of ghoulish fun – but I do think the movie itself tends to get a bit lost in all the Halloween costumes, figurines, and whatnot. Continue reading

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