Tag Archives: Mandy Patinkin

The Set of 400: #196 – My Favorite Faceless Villain

Today! Because for a tough guy you do a lot of pansy things –

Dick Tracy (1990)

Directed by Warren Beatty

Starring Warren Beatty, Al Pacino, Madonna (x2), Glenne Headly (x2), Charlie Korsmo, Dustin Hoffman (x3), Paul Sorvino (x2), Mandy Patinkin (x2), Seymour Cassel (x2), Charles Durning, William Forsythe, James Tolkan (x2), James Caan (x2), Michael J. Pollard (x3), Kathy Bates (x3), Dick Van Dyke, Ed O’Ross, R.G. Armstrong, Catherine O’Hara (x2), John Schuck (x2), Charles Fleischer (x4), Henry Silva, James Keane, Frank Campanella, Allan Garfield, Colm Meaney (x2), Bert Remsen (x2), Estelle Parsons

Look, we all wanted Dick Tracy to be the second coming of Batman in the summer of 1990, and no one more than Warren Beatty. They were using these hyper-stylized, primary color posters and design schemes, and they packed the film with movie stars from the smallest bit roles to the leads. And so what if the movie doesn’t 100% work – there is so much obvious effort in every inch of this film that you can’t help but be impressed as hell.

It’s a film exploding with color, and bullets

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The Set of 400: #237 – My Favorite Poisonous Battle of Wits

Today! Because you keep using that word. I do not think it means what you think it means –

The Princess Bride (1987)

Directed by Rob Reiner

Starring Cary Elwes (x5), Robin Wright, Mandy Patinkin, Andre the Giant, Chris Sarandon (x2), Wallace Shawn (x2), Billy Crystal, Carol Kane (x2), Peter Falk (x2), Fred Savage, Christopher Guest, Peter Cook, Mel Smith

As perfect a movie with as goofy a framing device as exists, The Princess Bride functions so well as a storybook fantasy, a love story, a swashbuckling, sword-fighting epic, and an out-and-out comedy that maybe the criticism could be that it does too much? Like, doesn’t this one movie seem like it could’ve been a great five season TV show, from, like, Starz? Maybe if it was written today it would be. But don’t give anyone the idea!

But yes, the sweeping tale of Wesley and Buttercup travels to distant lands, encounters monsters and giants and wizards, features much swordplay and vengeance, and is couched in our world, with Peter Falk’s grandfather reading the book to Fred Savage as he’s sick in bed. Why? I’m not totally sure. And I don’t know why it has always bothered me – it’s an intrinsic part of the movie, used to continually break up the action and mood with these cutaway scenes to 1980s Chicago to keep reestablishing the narrative. I know it’s a thing movies do, but I just don’t get why it’s here. Seriously, when you’re watching Princess Bride, are you anxiously awaiting the next smash back to Fred Savage’s “Kissing is yucky” nonsense?

At least he’s dedicated to the Monsters of the Midway. Bear down!

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