Tag Archives: Peter Cook

The Set of 400: #220 – My Favorite Business Card

Today! Because if it hadn’t been for my flawless footwork, I’d be standing here a dead man today –

Without a Clue (1988)

Directed by Thom Eberhardt

Starring Michael Caine, Ben Kingsley (x3), Jeffrey Jones (x2), Paul Freeman, Lysette Anthony (x2), Nigel Davenport, Peter Cook (x2), Pat Keen, Matthew Sim, George Sweeney, Harold Innocent

The best Sherlock Holmes comedy ever made, Without a Clue operates under the idea that Ben Kingsley’s Watson is the true mastermind detective, having hired an actor to portray his literary creation, worried that his criminal hunting pastime might be frowned upon by his medical superiors. Michael Caine’s Reginald Kincaid is a womanizing drunk who only barely manages to keep it together enough to don the deerstalker and parrot Watson’s information back to Scotland Yard and the adoring public. The story begins with them years into this deception, their relationship fraying badly from Kincaid’s lackadaisical character upkeep and Watson’s frustration with hiding his genius.

Kingsley is better known and regarded for his dramas, but his comedy work is routinely excellent, including another role on this list, as the supposed Mandarin in #265 Iron Man 3. Opposite Caine doing his best egomaniac boob actor, they sell this premise, even as it leaps into high-stakes Holmesian mystery, battling their legendary adversary Moriarty (a very effective Paul Freeman). Terrifically funny supporting turns come from Jeffrey Jones’ clueless Lestrade, Nigel Davenport’s Lord Smithwick, and the always great Beyond the Fringe alum Peter Cook.

“A-maaaaaa-zing!”

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The Set of 400: #237 – My Favorite Poisonous Battle of Wits

Today! Because you keep using that word. I do not think it means what you think it means –

The Princess Bride (1987)

Directed by Rob Reiner

Starring Cary Elwes (x5), Robin Wright, Mandy Patinkin, Andre the Giant, Chris Sarandon (x2), Wallace Shawn (x2), Billy Crystal, Carol Kane (x2), Peter Falk (x2), Fred Savage, Christopher Guest, Peter Cook, Mel Smith

As perfect a movie with as goofy a framing device as exists, The Princess Bride functions so well as a storybook fantasy, a love story, a swashbuckling, sword-fighting epic, and an out-and-out comedy that maybe the criticism could be that it does too much? Like, doesn’t this one movie seem like it could’ve been a great five season TV show, from, like, Starz? Maybe if it was written today it would be. But don’t give anyone the idea!

But yes, the sweeping tale of Wesley and Buttercup travels to distant lands, encounters monsters and giants and wizards, features much swordplay and vengeance, and is couched in our world, with Peter Falk’s grandfather reading the book to Fred Savage as he’s sick in bed. Why? I’m not totally sure. And I don’t know why it has always bothered me – it’s an intrinsic part of the movie, used to continually break up the action and mood with these cutaway scenes to 1980s Chicago to keep reestablishing the narrative. I know it’s a thing movies do, but I just don’t get why it’s here. Seriously, when you’re watching Princess Bride, are you anxiously awaiting the next smash back to Fred Savage’s “Kissing is yucky” nonsense?

At least he’s dedicated to the Monsters of the Midway. Bear down!

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