Tag Archives: Bruno Kirby

The Set of 400: #82 – My Favorite Fishing Strategy

Today! Because when he turned up dead, I let it go. And I said to myself, this is the business we’ve chosen –

The Godfather: Part II (1974) Directed by Francis Ford Coppola (x2) Starring Al Pacino (x4), Robert De Niro (x5), John Cazale (x2), Robert Duvall (x2), Diane Keaton (x4), Michael V. Gazzo (x2), Talia Shire (x4), Lee Strasberg, G.D. Spradlin, Bruno Kirby (x3), Gastone Moschin, Richard Bright, Morgana King, Troy Donahue, Dominic Chianese (x2), Joe Spinell (x2), Abe Vigoda (x2), Gianni Russo, James Caan (x3), Harry Dean Stanton (x4), Danny Aiello (x3), John Aprea (x2)

The Godfather was my dad’s favorite movie. To be more specific, what he really loved was the collection he referred to as The Complete Novel for Television – which came to be known in a variety of different ways on home video and re-airings over the years. This compilation, first aired on network TV in 1977, pulls apart The Godfather: Part II and rearranges the whole thing chronologically, while removing some of the violence and nudity. And this was the most frequent way Rosco (not his real name, or the customary spelling) would watch it. You know how I’ve mentioned before about series of films in my early life blending together into one mass? I think it can all be attributed to seeing The Godfather movies meshed together like this almost exclusively for years. He preferred this huge, six-hour version of the story to the separate films, so that’s what he’d watch. I’m not sure I actually saw The Godfather: Part II the way it was originally intended until I was in my twenties. And, yeah, it probably works better in the original format – with young Vito’s rise set opposite Michael’s epic struggles. As iconic and basically perfect as the first film is, my favorite part of the whole series is early 1900’s Vito arriving at Ellis Island and clawing his way up through New York organized crime.

It’s everyone’s favorite, isn’t it?

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The Set of 400: #151 – My Favorite Wagon Wheel Coffee Table

Today! Because he was very jealous, and I had these days of the week underpants –

When Harry Met Sally… (1989)

Directed by Rob Reiner (x3)

Starring Billy Crystal (x2), Meg Ryan, Bruno Kirby (x2), Carrie Fisher (x4), Steven Ford, Lisa Jane Persky, Michelle Nicastro, Kevin Rooney, Tracy Reiner (x2), Estelle Reiner

I like to think that my personal preference on this list is mine and mine alone, that maybe there were influences over the years steering me toward certain things, away from others, or just jamming something I might not have otherwise seen in front of my face for endless years until it lodged in my brain as something I really enjoyed. As you might have noticed, various of my family members had this effect on me growing up – with their Ghosts and She Wore a Yellow Ribbons and Rocky Horror Picture Shows. However, today, we come to my wife’s favorite movie, somehow, at number 151. Remarkable!

Congratulations, boots!

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The Set of 400: #341 – My Favorite Glinda the Good Witch Impression

Today! Because it’s time to rock it from the Delta to the DMZ –

Good Morning, Vietnam (1987)

Directed by Barry Levinson

Starring Robin Williams (x2), Forest Whitaker (x2), Bruno Kirby, Robert Wuhl, J.T. Walsh, Noble Willingham, Richard Portnow, Juney Smith, Richard Edson, Tung Thanh Tran

Robin Williams had made movies, and some good ones, before 1987, but it all completely changed with Good Morning, Vietnam. It’s as though there was no concrete idea how to harness his stand-up/Mork and Mindy comedy into a feature film, so no one really tried. Popeye has glimmers of it, with the ad-libs, while The World According to Garp showcases Williams serious acting ability. And then everything converged into this wild war comedy, grounded very definitely in reality.

For those of us who grew up with his later comedies, Good Morning, Vietnam can tend to feel like nothing particularly special. This was the Robin we knew from virtually everything that was to follow over the next two decades. The non-sequiturs! That stream-of-consciousness pile of voices and characters! The virtually non-stop jokes! Sure, after decades, that tends to get taken for granted as his particular style, but this was the beginning of that for most cinema audiences, plus it is housed in a very real war picture, while still managing to work, for the most part.

Seriously, every Robin Williams talk show appearance was basically this

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