Today! Because if you hold out too long you could jeopardize your credit rating –
Directed by Terry Gilliam (x3)
Starring Jonathan Pryce (x2), Kim Greist, Ian Holm (x3), Michael Palin (x3), Robert De Niro (x4), Katherine Helmond (x3), Bob Hoskins (x2), Peter Vaughan, Ian Richardson, Jim Broadbent (x4), Barbara Hicks, Gorden Kaye, Simon Jones, Charles McKeown
Terry Gilliam’s dystopian, bureaucratic hellscape has very little obviously to do with the country of Brazil. Allegedly, in some deleted scene or old script treatment or something, the bug that falls in the printer at the beginning of the film that kicks off the whole misidentification caper is seen traveling across the globe from Brazil, thus the title and the modified usage of the great old tune “Aquarela do Brasil” as the theme song.
I also think of Brazil as the ultimate Gilliam movie, coming as it does after Python and his more fantastic adventures Jabberwocky and Time Bandits, but before the somewhat more realistic goings on in The Fisher King and Fear and Loathing (somewhat is the key there). It merges the two eras neatly – not unlike Twelve Monkeys would later – bridging pure fantasy/sci-fi with relatable human issues in a bizarro satirical context. It’s funny while being frustrating and horrifying in the world they’ve created, while also not being all that far afield from the mundane drudgery of working and living in an even remotely regimented society. Jonathan Pryce’s Sam Lowry being shifted between interchangeable government jobs under paranoid, crazed bosses and sharing a desk with a co-worker in another room all sort of makes sense once you’re out in the workplace for a bit. This is a movie I’ve long loved, for the weirdness and futurism, but have only really appreciated the underlying struggles as the years since college have piled higher and deeper. Continue reading
Today! Because guilt is petit-bourgeois crap. An artist creates his own moral universe –
Bullets Over Broadway (1994)
Directed by Woody Allen (x7)
Starring John Cusack (x3), Dianne Wiest (x3), Chazz Palminteri (x2), Jennifer Tilly (x2), Mary-Louise Parker (x2), Rob Reiner (x2), Tracey Ullman (x2), Jim Broadbent (x3), Jack Warden (x2), Joe Viterelli, Harvey Fierstein (x2), Edie Falco, Debi Mazar, Tony Sirico, John Ventimiglia, Tony Darrow
If you were to take the entire Set of 400 up to this point, feed it into a computer, and have that parse out all the elements that might make up the perfect film geared toward this guy, it may well spit out Bullets Over Broadway. It’s the seventh Woody Allen movie on the list, it’s from a year I proclaim to love more than almost any other in cinema history: 1994, it’s a movie about a play, it’s a movie about gangsters, it’s a movie about writers, it features a ton of future Sopranos actors, it was nominated for and won a slew of awards – Bullets Over Broadway kinda has everything for me.
Today! Because the appearance of law must be upheld, especially while it’s being broken –
Gangs of New York (2002)
Directed by Martin Scorsese (x3)
Starring Daniel Day-Lewis (x2), Leonardo DiCaprio (x3), Cameron Diaz (x3), Brendan Gleeson, John C. Reilly (x6), Jim Broadbent (x2), Henry Thomas, Liam Neeson (x2), Eddie Marsan (x3), Stephen Graham, Gary Lewis, Lawrence Gillard Jr., Cara Seymour (x2), Tim Pigott-Smith (x2)
This movie was so close to being an unmitigated masterpiece that we as a people can only lament the missteps made in dragging it to completion. You have a terrific cast, a marvelous adaptation of a book without a real narrative, and Scorsese hell bent on winning an Oscar, in a year that wasn’t super competitive. Daniel Day-Lewis, not one to slum it, gives 110% percent and dominates the film as Bill the Butcher – a film, again, loaded with talent. He’s a colossus, an unholy terror, and while the film purports to be about the Vallons – father Priest and son Amsterdam – it ends up totally the story of the vicious Five Points ganglord. Continue reading