Category Archives: Movies

The Set of 400: #91 – My Favorite Saddam Hussein Dream Sequence

Today! Because that rug really tied the room together –

The Big Lebowski (1998)

Directed by Joel Coen, Ethan Coen (x5)

Starring Jeff Bridges (x2), John Goodman (x6), Steve Buscemi (x3), Julianne Moore (x3), David Huddleston, Philip Seymour Hoffman (x6), John Turturro (x4), Sam Elliott (x2), Jon Polito, Peter Stormare (x2), Tara Reid (x2), Flea (x3), Jack Kehler (x2), Dom Irrera, David Thewlis, Ben Gazzara, Aimee Mann, Mark Pellegrino, Philip Moon

As mentioned earlier, the Coen brothers aren’t exactly flush with box office hits over their career. But coming on the heels of Fargo finally getting them Oscar attention, you’d have though their next film would fare a little better than, say, Species II or Simon Birch or Gus Van Sant’s Psycho remake or John Carpenter’s Vampires, but no. The Big Lebowski was virtually ignored on its initial release, landing in 96th on the 1998 box office chart, and garnering no significant year-end awards. Reviews were good by and large, even if it’s hard to go by Rotten Tomatoes today, with so much revision that is done to films predating the website. But I remember it being generally liked, but far from loved.

Even with the Jesus

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The Set of 400: #92 – My Favorite Jazz Flute

Today! Because the Human Torch was denied a bank loan –

Anchorman: The Legend of Ron Burgundy (2004)

Directed by Adam McKay

Starring Will Ferrell (x5), Christina Applegate (x2), Steve Carell, Paul Rudd (x4), David Koechner (x2), Fred Willard, Chris Parnell (x2), Vince Vaughn (x3), Kathryn Hahn, Fred Armisen, Paul F. Tomkins (x3), Bill Kurtis, Jack Black (x5), Luke Wilson (x3), Ben Stiller, Tim Robbins (x4), Missi Pyle (x2), Jerry Minor (x2), Ian Roberts (x3), Danny Trejo, Seth Rogen (x3)

Meeting Sarah in 2004 as I did, the comedies of those early years of the relationship that stuck really stuck. I’ve mentioned #134 Wedding Crashers, #130 Napoleon Dynamite, #189 Team America, #184 Super Troopers, to a lesser degree #313 Fever Pitch – but at the core of the entire era was Anchorman. Not unlike your Austin Powers and Napoleon Dynamites, Anchorman suffers somewhat as the years go on due to its endless quotability. Sure, it stays in the public consciousness and thus sells t-shirts or whatever, and afforded us that okay-ish sequel, but really, I think the details of the original film get a bit lost in the “Scotchy scotch scotch,” “I love lamp,” “Afternoon Delight” of the whole thing. Does everyone recall the whole panda plot of the film? I mean, the less said about pandas the better, just as a general rule for living, but that’s actually the driving through line of the story. Sure, it doesn’t really matter, but it gives a little structure to the wild Burgundy/Corningstone relationship and that epic multi-network news team free-for-all.

But seriously, and I can’t say this enough, fuck pandas.

The only good panda

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The Set of 400: #93 – My Favorite Zero Gravity Toilet

Today! Because I know I’ve made some very poor decisions recently, but I can give you my complete assurance that my work will be back to normal –

2001: A Space Odyssey (1968)

Directed by Stanley Kubrick (x5)

Starring Keir Dullea, Gary Lockwood, Douglas Rain (x2), William Sylvester, Leonard Rossiter (x2), Robert Beatty, Margaret Tyzack, Vivian Kubrick

And follow me on Twitter, I guess, if you want

Look, I’m not saying there aren’t boring movies out there. Hell, I can’t stand Lawrence of Arabia, even though I kinda recognize the inherent greatness in it, because that movie is so goddamn boring. And like, I get that 2001 doesn’t rip right along. Those astronauts walking toward the monolith really take their time. The outer space ballet of ships passing each other to the classical tunes soundtrack is a little languorous, I’ll grant you. The vaunted light show journey through Dave’s mind is pretty comprehensive when it comes to the color wheel and scenic vistas and multi-shaded eyeballs. But I would like to refer you to the above statement, which I’m like 80% still in the camp of believing – 2001: A Space Odyssey might be the best movie ever made. Continue reading

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The Set of 400: #94 – My Favorite Incriminating Area Code

Today! Because it’s not just lysine, it’s citric. It’s gluconate. There was a guy who left the company because he wouldn’t do it. He was forced out. The gluconate guy, he’s out of a job –

The Informant! (2009)

Directed by Steven Soderbergh (x3)

Starring Matt Damon (x7), Scott Bakula, Joel McHale (x2), Melanie Lynskey, Tony Hale, Tom Papa (x2), Rick Overton, Thomas F. Wilson (x2), Scott Adsit (x2), Ann Dowd, Patton Oswalt (x2), Andrew Daly (x2), Clancy Brown (x3), Tom Smothers, Dick Smothers, Paul F. Tompkins (x2), Candy Clark (x2), Frank Welker (x2), Larry Clarke, Eddie Jemison (x2), Allan Havey, Ann Cusack (x3)

One of the most underrated comedies of recent times, The Informant! is a brilliant, hilarious true story centered around the very sexy, cinematic subject of price fixing in the lysine market. Thus, the trailers had no idea how to convey the story, never mind the tone, so the movie was an almost complete mystery when it was released. I know people who saw this movie and hated it – expectations being for a fairly normal film at the least, but what you get one of the most unreliable narrators ever taking you through a film filled with great comedians not being obviously funny. The subtlety of the movie, the quiet satire of super corrupt big business in a very dull corner of corporate America, populated by the likes of Scott Adsit, Tony Hale, Patton Oswalt, and the Smothers Brothers playing lawyers and government agents and judges heightens the ridiculousness of, again, a relatively normal setting. It’s just oft-kilter enough, just five degrees off center at all times, so that the longer you don’t buy into the manner the story is being told, the less you can possibly enjoy the weirdness. Continue reading

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The Set of 400: #95 – My Favorite Jelly Donut

Today! Because I wanted to see exotic Vietnam, the crown jewel of Southeast Asia. I wanted to meet interesting and stimulating people of an ancient culture, and kill them –

Full Metal Jacket (1987)

Directed by Stanley Kubrick (x4)

Starring Matthew Modine (x2), Vincent D’Onofrio (x4), R. Lee Ermey (x4), Adam Baldwin (x2), Arliss Howard (x2), Dorian Harewood, Ed O’Ross (x2), Kevyn Major Howard, John Terry

Stanley Kubrick hadn’t released a film since 1980’s The Shining when Full Metal Jacket finally hit theaters in the summer of ’87, so you know seven-year-old Joe was first in line, eschewing the likes of Harry and the Hendersons, Dragnet, and Benji the Hunted at the General Cinema. Little did I know that this film would inspire one of the great thinkers of our time, Luther Campbell, to later pen the now immortal ode to love and lust “Me So Horny,” and become an icon for free speech in the process. Nope, soon-to-be third grader Joe was just reveling in the blanket party and ubiquitous vulgarity, not even questioning if ten dollars was a good price for a Vietnamese hooker.

No, come on, I didn’t see Full Metal Jacket in theaters when I was seven! What do you think, my parents were monsters? They cut me off from renting R-rated movies after the whole Nightmare on Elm Street 3: Dream Warriors fiasco, so they certainly weren’t going to take me to see Private Pyle’s murderous bathroom breakdown, no matter what a Barry Lyndon fan I might have been in those days!

A gorgeous but insanely boring film

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The Set of 400: #96 – My Favorite Alexandre Dumas Trivia

Today! Because the D is silent –

Django Unchained (2012)

Directed by Quentin Tarantino (x3)

Starring Jamie Foxx, Christoph Waltz, Leonardo DiCaprio (x4), Kerry Washington, Samuel L. Jackson (x8), Walton Goggins (x2), James Remar (x3), Dennis Christopher, Don Johnson, Franco Nero, Tom Wopat, Russ Tamblyn, Amber Tamblyn, Bruce Dern (x2), M.C. Gainey (x2), Jonah Hill (x6), Zoe Bell, Lee Horsley, Robert Carradine (x2), Ted Neeley, James Parks, Tom Savini, Quentin Tarantino (x2), Lewis Smith (x2), Daniele Watts, Gary Grubbs (x2), Don Stroud, Laura Cayouette, Dana Gourrier, Ato Essandoh, Escalante Lundy

Back-to-back Samuel L! And we’ve finally reached my second favorite film from the vaunted year of 2012. Ah, 2012! Mitt Romney lost and we as a people won – not just in politics but at the theaters, as we were treated to quite the mighty group of films. Nearly scaling the lot here was Quentin Tarantino’s hyper-violent rescue/revenge “southern” Django Unchained, his 7th full length movie and highest grossing one by a considerable margin (as of this writing, Once Upon a Time in Hollywood is still some months away). He makes the strident case to not categorize this movie as a “western,” as it is set primarily in antebellum Texas, Tennessee, and Mississippi, but come on, call it what you like, this is as western as a non-western can be.

I mean, really, considering it borrows half its title and many plot/character elements from Sergio Corbucci’s 1966 film Django, I suppose if we’re aggressively splitting hairs here this is some manner of American spaghetti western/southern. Hell, Franco Nero has a cameo in the film! It’s different enough that it ascribes no actual credit to Django, going so far as being classified an original-as-opposed-to-adapted screenplay, but still similar enough that if your video store has enough sections, classifying it might prove tricky. Anyway, it’s a western. Mostly. Continue reading

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The Set of 400: #97 – My Favorite Argument Against Capes

Today! Because under tremendous public pressure and the crippling financial burden of mounting lawsuits, the government quietly initiated the Superhero Relocation Program –

The Incredibles (2004)

Directed by Brad Bird (x2)

Starring Craig T. Nelson (x2), Holly Hunter (x2), Jason Lee (x2), Samuel L. Jackson (x7), Sarah Vowell, Spencer Fox, Elizabeth Pena, Brad Bird, Wallace Shawn (x5), John Ratzenberger (x6), Dominique Louis, Teddy Newton

For a good number of years the gold standard in superhero cartoons, and really, superhero movies in general, The Incredibles came along at just the right time. The Spider-Man and X-Men films were in full swing, but we were still years away from the MCU and the great Nolan Bat pictures (Batman Begins, being a weird prequel to The Dark Knight, does not count), so Pixar jumped in and filled that cape-and-laser void with a terrific story of supers hiding in retirement, being dragged back to battle a new foe. Quick – top of your head – when is this movie set? It never casually occurs to me that it isn’t the modern day – just a really retro designed modern day – but no! It’s set in this alternate reality 1960s, obviously. There isn’t anything to necessarily throw you off from this idea, it just doesn’t stick with me for some reason.

Maybe I’m just a moron when it comes to mid-century furniture design

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The Set of 400: #98 – My Favorite Spinach Eating Robot

Today! Because they made us too smart, too quick and too many. We are suffering for the mistakes they made because when the end comes, all that will be left is us –

A.I. Artificial Intelligence (2001)

Directed by Steven Spielberg (x6)

Starring Haley Joel Osment, Jude Law (x3), William Hurt, Frances O’Connor, Sam Robards, Jake Thomas, Brendan Gleeson (x2), Robin Williams (x6), Meryl Streep, Chris Rock (x4), Ben Kingsley (x4), Jack Angel, Ken Leung (x2), Clark Gregg (x4), Kevin Sussman, Ashley Scott, Enrico Colantoni (x2), Paula Malcomson (x3), Adrian Grenier, Michael Fishman

Not often mentioned in the same breath as Spielberg’s best, most iconic films, A.I. Artificial Intelligence holds a weird distinction for me, as the hybrid Frankenstein of a movie that it is. When Stanley Kubrick died in 1999, he left unfinished a number of projects, including his proposed epic biography of Napoleon, some (i.e. me) would argue the final edit of Eyes Wide Shut, and his debatably in pre-production sci-fi epic A.I. Now, Kubrick was taking a helluva long time between movies at this point, so “pre-production” is a pretty relative term, but by all indications this was next up, having started and stopped a number of times, including doing some casting and allegedly recording Robin Williams voice role as it exists in the film. Rumors also persist that Kubrick had discussed with Spielberg the possibility of him directing the film instead. So, when Kubrick died, Spielberg was able to pick up and run with what was largely in place already, cranking the whole film out in just over two years.

Oh those Spielberg silhouettes!

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The Set of 400: #99 – My Favorite Pope Pius XI Cameo

Today! Because I myself felt that one could really think of him as the ultimate conformist –

Zelig (1983)

Directed by Woody Allen (x10)

Starring Woody Allen (x7), Mia Farrow (x5), Patrick Horgan, Michael Jeter (x3), Peter McRobbie (x2), Alice Beardsley, Mary Louise Wilson, Deborah Rush (x3), Jeanine Jackson, Susan Sontag, Saul Bellow, John Rothman

My third favorite Woody Allen movie, and my second favorite film of 1983 – if anything he made could be described as visually ambitious, it’s Zelig. Figure, even the other more supernatural/fantasy/science fiction movies he made were still grounded very much in Woody’s comic sensibility or modern day coasting – Sleeper, Midnight in Paris, Melinda and Melinda, Deconstructing Harry. The exception, maybe, is Purple Rose of Cairo, which has very definite visual effects elements and a slightly more elaborate plot than Woody’s films from that point on. But Zelig is the rare triumph of visual trickery in the Allen catalog – I’m not 100% on this, but am pretty confident this is the only of his films to receive Best Visual Effects nominations from anyone (the BAFTAs, incidentally). While he may have never made a good action director, were he inclined, Zelig actually points to a greater capability in complex effects-driven storytelling than you would’ve thought possible from him. Continue reading

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The Set of 400: #100 – My Favorite Nude Medal Ceremony

Today! Because in order to be grounded, I’ve got to be crazy. And I must be crazy to keep flying. But if I ask to be grounded, that means I’m not crazy anymore, and I have to keep flying –

Catch-22 (1970)

Directed by Mike Nichols (x2)

Starring Alan Arkin (x5), Jon Voight (x2), Martin Balsam (x3), Buck Henry (x3), Richard Benjamin, Bob Newhart, Anthony Perkins (x2), Art Garfunkel, Jack Gilford (x2), Martin Sheen, Orson Welles (x2), Bob Balaban (x2), Paula Prentiss, Norman Fell (x2), Charles Grodin, Austin Pendleton, Peter Bonerz, Jack Riley (x4), Bruce Kirby, Richard Libertini (x3), Elizabeth Wilson (x2), Susanne Benton, Jon Korkes, Marcel Dalio

The Top 100! We finally made it! This is what the list always was in the past – a tight group of a hundred films I love, not this insanely bloated collection including a ton of movies I like but would probably be embarrassed to bring up to the Gallery of Sound register. And often floating near the end of those lists from days gone by is this adaptation of my favorite book, Mike Nichols’ noble experiment in bringing Joseph Heller’s unfilmmable novel to the screen. I don’t anticipate ever doing a list like this of my favorite books – come on, that would be far too difficult, as I don’t really re-read books much, so even though I remember loving The Stand, how it would compare to something I read last month is questionable. So, just for your edification and because this is all about me anyway, Catch-22 is my favorite book. I’m not sure what is ever going to supplant it, but I suppose anything’s possible. I’ve still never read The Da Vinci Code!

The movie sucked pretty loud, though, as I recall

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The Set of 400: #101 – My Favorite Salvador Dali Cameo

Today! Because if it’s bad, I’ll hate it because I hate bad writing, and if it’s good, I’ll be envious and hate all the more. You don’t want the opinion of another writer –

Midnight in Paris (2011)

Directed by Woody Allen (x9)

Starring Owen Wilson (x4), Marion Cotillard (x2), Rachel McAdams (x3), Michael Sheen, Corey Stoll, Lea Seydoux (x2), Adrien Brody (x3), Tom Hiddleston (x2), Alison Pill, Mimi Kennedy (x2), Kurt Fuller (x2), Carla Bruni, Kathy Bates (x4), Tom Cordier, Gad Elmaleh, Nina Arianda

I don’t have a real personal connection with a lot of Woody Allen movies, I’ve just really liked them for a long time, and thus so many have finagled their way onto this countdown. However, Midnight in Paris isn’t an old Allen film, and does go a fair bit deeper for me than his other movies. To recap from some prior post (#108 Hunchback of Notre Dame, I’m guessing?) – we got married in 2011, replete with songs from #111 Muppets Take Manhattan, and the brand-new Muppets film, and then didn’t go on a honeymoon for two long years. Why? I don’t remember why. I guess the destination wedding took it out of us for a while? We had the wedding at Caesars in Vegas – I’m not going to say it was because of The Hangover, but it certainly could’ve been. We visited Vegas to look at venues eight months prior, and never went to Caesars, so how we ended up there only makes sense byway of Mike Tyson comedies.

Apparently Iron Mike was coked out of his melon when they filmed this! More on this later.

Anyway, when we finally did get around to picking the old honeymoon spot, Paris leaped to the forefront of the contenders. Again, I’m not going to say it was definitely because of some movie, but we were really into Midnight in Paris around this time, so it would make sense. Hell, we went around taking pictures of locations in the film –

These are those steps Owen Wilson is sitting on waiting for his ride to the past! Look at that boots!

And this is where that car pulls up! And we haven’t aged a day!

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The Set of 400: #102 – My Favorite Elephant Slide

Today! Because there never was much hope. Just a fool’s hope –

The Lord of the Rings: The Return of the King (2003)

Directed by Peter Jackson (x4)

Starring Elijah Wood (x5), Sean Astin (x3), Ian McKellen (x6), Viggo Mortensen (x2), Billy Boyd (x2), Dominic Monaghan (x2), Liv Tyler (x2), Andy Serkis (x5), John Rhys-Davies (x2), Orlando Bloom (x2), Miranda Otto (x2), Bernard Hill (x3), Cate Blanchett (x5), Hugo Weaving (x4), Karl Urban (x3), David Wenham (x2), Ian Holm (x4), Marton Csokas (x2), John Noble, Bret McKenzie (x2), Sarah McLeod

This movie won Best Film Editing at the Academy Awards. Let that sink in for a minute. This movie – all 201 minutes of it, with all of those endings crashing awkwardly into each other over the last fifteen minutes of the film – won an Oscar for the film with the best editing. Like, look, I love The Lord of the Rings – it probably is the best film trilogy of all-time, and by the time it came to the conclusion it was bound to win all the awards, considering the near-perfect first film lost to the thoroughly meh A Beautiful Mind and the solid second film lost to, like, the fortieth best musical ever made in Chicago – one of the weaker film stretches ever. Still, this movie – drunk on the success of the Extended Edition DVDs I guess and flush with all the cash raked down from the previous two Decembers – chose to just go on and on and on. Maybe the Academy needed a few years to come around to the idea of awarding a pure fantasy Best Picture – it had never happened before – and maybe awarding it every statue it was nominated for seemed like a fitting tribute – it was 11 for 11 – but my God, Best Film Editing? You’re telling me every one of those 201 minutes was essential? You’re telling me that interminable ending sat perfectly with you? Okay, so 2003 wasn’t the world’s best year for movies – fucking Seabiscuit was up for Best Picture – but hell, Best Film Editing also featured Master and Commander and City of God, two absolute triumphs of editing.

And holy shit, if you haven’t seen it, go watch City of God

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The Set of 400: #103 – My Favorite Smirking Revenge

Today! Because you’re not the car you drive. You’re not the contents of your wallet. You’re not your fucking khakis –

Fight Club (1999)

Directed by David Fincher (x3)

Starring Edward Norton (x3), Brad Pitt (x2), Helena Bonham Carter, Jared Leto, Meat Loaf (x2), Zach Grenier (x3), Bob Stephenson, Holt McCallany, Eion Bailey, Peter Iacangelo, Rachel Singer

My second favorite movie from one of my favorite years – 1999! – and my second favorite David Fincher film, Fight Club wasn’t anything when it first came out. Sure, ’99 was a pretty robust year, but considering what this would become, it’s amazing how virtually overlooked it was that fall. It’s hard to even say this is a cult classic – this is a mainstream classic that just got ground up in the marketing and lost in theaters. Hell, when I first saw it I didn’t know what to make of it. The reviews were good, but the trailers didn’t make a ton of sense. Also, because they had a ton of shirtless Brad Pitt moments, I felt like the initial aim was to get women in the theaters, even though it is decidedly a guy movie, and so the commercials didn’t much convey what the hell was going on in this film either. It grossed all of $37 million – sandwiched between My Favorite Martian and 10 Things I Hate About You in the ’99 ranking, at 54th – got one Oscar nomination for Sound Effects Editing and four nominations from The Stinkers, including Worst Supporting Actress for Carter and Worst Hairstyles Male and Female, because that’s what the Stinkers was.

The Stinkers clearly can’t appreciated funky ‘doos

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The Set of 400: #104 – My Favorite Intricate Chalk Blocking

Today! Because I wouldn’t wipe my feet on him if he were starving, and I hope he is –

Twentieth Century (1934)

Directed by Howard Hawks

Starring John Barrymore (x2), Carole Lombard (x5), Walter Connolly (x2), Roscoe Karns, Charles Lane (x2), Edgar Kennedy (x2), Ralph Forbes (x2), Etienne Girardot, Dale Fuller, Billie Seward

The fifth and final Lombard to make the list, and the one that made her a star, Twentieth Century hits that sweet spot of mine being a movie about plays and also tangentially about movies, replete with ridiculous over-the-top theater people delivering headspinning dialogue from Oscar winners Ben Hecht and Scranton’s own Charles MacArthur. This movie is also directly responsible for the inclusion of the later Lombard flick True Confession – as that movie reunited this film’s stars, largely because Barrymore was falling on hard times and she insisted he get cast, a move that elevated the picture above her more standard light comedy of that time.

Fun, contentious on-screen pair!

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The Set of 400: #105 – My Favorite Ice Skate Dentristy

Today! Because I would rather take my chance out there on the ocean than to stay here and die on this shithole island, spending the rest of my life talking to a goddamn volleyball!

Cast Away (2000)

Directed by Robert Zemeckis (x3)

Starring Tom Hanks (x6), Helen Hunt, Nick Searcy, Chris Noth, Jenifer Lewis, Lari White

Tom Hanks’ shining hour, and to date his last Academy Award nomination (?!), Cast Away takes the most basic premise in the history of storytelling – stranded on a desert island – and makes it riveting, fascinating, tense business. Also, if you sit in the front few rows of the movie theater during it, the film is also terrifically nauseating. Pro tip! I wasn’t straight up vomiting (that’s only happened once from an in-theater movie, you guys), but I sure missed a bunch of the film on first viewing.

While the vomit honor belongs to this thing. Thanks a lot, Cameron!

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