Tag Archives: Karl Urban

The Set of 400: #102 – My Favorite Elephant Slide

Today! Because there never was much hope. Just a fool’s hope –

The Lord of the Rings: The Return of the King (2003)

Directed by Peter Jackson (x4)

Starring Elijah Wood (x5), Sean Astin (x3), Ian McKellen (x6), Viggo Mortensen (x2), Billy Boyd (x2), Dominic Monaghan (x2), Liv Tyler (x2), Andy Serkis (x5), John Rhys-Davies (x2), Orlando Bloom (x2), Miranda Otto (x2), Bernard Hill (x3), Cate Blanchett (x5), Hugo Weaving (x4), Karl Urban (x3), David Wenham (x2), Ian Holm (x4), Marton Csokas (x2), John Noble, Bret McKenzie (x2), Sarah McLeod

This movie won Best Film Editing at the Academy Awards. Let that sink in for a minute. This movie – all 201 minutes of it, with all of those endings crashing awkwardly into each other over the last fifteen minutes of the film – won an Oscar for the film with the best editing. Like, look, I love The Lord of the Rings – it probably is the best film trilogy of all-time, and by the time it came to the conclusion it was bound to win all the awards, considering the near-perfect first film lost to the thoroughly meh A Beautiful Mind and the solid second film lost to, like, the fortieth best musical ever made in Chicago – one of the weaker film stretches ever. Still, this movie – drunk on the success of the Extended Edition DVDs I guess and flush with all the cash raked down from the previous two Decembers – chose to just go on and on and on. Maybe the Academy needed a few years to come around to the idea of awarding a pure fantasy Best Picture – it had never happened before – and maybe awarding it every statue it was nominated for seemed like a fitting tribute – it was 11 for 11 – but my God, Best Film Editing? You’re telling me every one of those 201 minutes was essential? You’re telling me that interminable ending sat perfectly with you? Okay, so 2003 wasn’t the world’s best year for movies – fucking Seabiscuit was up for Best Picture – but hell, Best Film Editing also featured Master and Commander and City of God, two absolute triumphs of editing.

And holy shit, if you haven’t seen it, go watch City of God

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The Set of 400: #179 – My Favorite Perambulating Tree

Today! Because what we need is a few good taters –

The Lord of the Rings: The Two Towers (2002)

Directed by Peter Jackson (x3)

Starring Elijah Wood (x4), Ian McKellen (x4), Viggo Mortensen, Sean Astin, Billy Boyd, Dominic Monaghan, Orlando Bloom, John Rhys-Davies, Andy Serkis (x3), Christopher Lee (x5), Brad Dourif (x2), Liv Tyler, Karl Urban (x2), David Wenham, Hugo Weaving (x3), Cate Blanchett (x4), Bernard Hill (x2), Miranda Otto, Craig Parker

I don’t know that there’s a middle film in a trilogy that suffers more than The Two Towers. For all the cool stuff that’s in this movie – Gollum and the Ents and Wormtongue, I guess – very little has fundamentally advanced by the time you reach the ending, to the point that you can only look forward to The Return of the King when you’re done. It’s hard to sit back and really enjoy the hours you just killed in Middle Earth. Like, I’ve watched the first movie on its own a bunch of times, without then feeling compelled to watch the others in any near future. I don’t think I’ve ever watched The Two Towers without popping in Return of the King very soon after.

Not that it’s just a bunch of standing around, but still

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The Set of 400: #195 – My Favorite Alexanderplatz Exposition

Today! Because we don’t have a choice –

The Bourne Supremacy (2004)

Directed by Paul Greengrass

Starring Matt Damon (x3), Joan Allen (x3), Franka Potente, Brian Cox (x3), Julia Stiles, Karl Urban, Marton Csokas, Gabriel Mann, Tom Gallop, Michelle Monaghan

Just so you’re prepared – this is my least favorite of the Bourne trilogy, and even this one cracked the 200. The most recent Damon outing – Jason Bourne, I want to say? – wasn’t eligible, and wasn’t anything special, and that random Jeremy Renner movie was fine, but the first three – man, those are exciting, highly interchangeable films.

Like the Mission: Impossibles, these all take place in random, similar looking foreign cities, which you get to see whip by out the windows of speeding cars. Bourne will get involved in some conspiratorial bullshit in a frowsy apartment or abandoned train station, but then it’s right back to running. The first movie is an all-out chase, as they are coming for Bourne hard, the third movie is when he finally manages to piece the whole puzzle together, leaving the middle chapter – which is a straight revenge film, albeit also chocked full of chases, and an ending that gives some closure, but obviously benefits from the existence of a third film. Second films are hard, you guys.

With the obvious exception of the Breakin‘ franchise

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