Category Archives: Movies

The Set of 400: #31 – My Favorite Dog Painting (Modern)

Today! Because as far back as I can remember I always wanted to be a gangster –

Goodfellas (1990)

Directed by Martin Scorsese (x5)

Starring Ray Liotta (x3), Robert De Niro (x6), Joe Pesci (x3), Lorraine Bracco (x3), Paul Sorvino (x3), Frank Vincent, Mike Starr, Tony Darrow (x2), Frank Sivero, Chuck Low, Gina Mastrogiacomo, Catherine Scorsese, Samuel L. Jackson (x12), Suzanne Shepherd, Debi Mazar (x2), Michael Imperioli, Kevin Corrigan (x3), Tony Sirico (x2), Illeana Douglas (x2), Paul Herman, Tony Lip, Vincent Pastore, Tobin Bell (x2), Vito Antuofermo, Frank Albanese, Johnny Williams, Elaine Kagan, Beau Starr, Welker White, Henny Youngman (x2), Jerry Vale, Isiah Whitlock Jr. (x2)

In the annals of great Oscar crimes, people are quick to jump on 1998, as I guess they feel Shakespeare in Love too frothy and inconsequential to beat the likes of Elizabeth, Life is Beautiful, and Terrence Malick’s epic comeback to prominence, The Thin Red Line. I’m sure I’ve brought up Saving Private Ryan before, so I won’t get back into that again. But I think there’s a case that can be made for Shakespeare in Love – maybe not in that deep a year, but in some year. However, the great Oscar robbery of the ’90s and of all times isn’t that – hell, I could come up with a bunch of years more egregious than ’98. No, the worst hit job ever done was Dances With Wolves somehow beating Goodfellas for Best Picture/Director in 1990.

This boring goddamn thing

You can say that maybe the Academy didn’t want to go with the violent gangster film – even though they’d handed Best Picture to both the Godfathers by this point – but then the option became the pastoral white savior Native American movie? You’re telling me they didn’t realize how rough they’d snubbed Martin Scorsese all those years and couldn’t recognize his (ever so slightly) waning greatness, and figure maybe it was time to reward him when a truly, truly great film came along, instead of waiting for the next convenient time, which wouldn’t arrive for over a decade and a half? Plus, what, they had to give Kevin Costner an Oscar?? The 1990 Academy Awards make no sense whatsoever, so stuff your Saving Private Ryan griping. That 45 great minutes wrapped around two hours of next to nothing isn’t in the same ballpark.

Remember how Captain Miller’s last words basically show how meaningless his life was and he only existed to teach Ryan a lesson? Remember that? Remember how you think the old guy at the beginning is Miller (because of the whole eye-jump though time) but it’s not Miller, because of how lazy the device was? Ugh, Saving Private Ryan, I swear to God

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The Set of 400: #32 – My Favorite Dog Painting (Classical)

Today! Because if you take cranberries and stew them like applesauce, they taste much more like prunes than rhubarb does –

Animal Crackers (1930)

Directed by Victor Heerman

Starring Groucho Marx (x7), Chico Marx (x7), Harpo Marx (x7), Zeppo Marx (x4), Margaret Dumont (x4), Lillian Roth, Louis Sorin, Hal Thompson, Margaret Irving, Robert Greig (x2), Edward Metcalfe

As mentioned previously, my roundabout path to discovering the Marx Brothers began with Go West, a lesser flick that nonetheless managed to find a place on this list. But I believe Animal Crackers is probably the gateway Marx effort for most people, after a certain age. It has the most famous songs from all their films – the later You Bet Your Life theme “Hooray For Captain Spaulding” as well as “Hello, I Must Be Going” – and is the role Groucho would forever be identified with, even if there aren’t a ton of shades between any of the brothers’ characters in their movies. It was the last of their stage efforts to be translated to the screen, while also working out a few of the technical kinks of their first film, The Cocoanuts, from the year before.

Animal Crackers had various rights issues for a number of years – due to the song copyrights reverting to the authors after a period of time, mistakenly not renewed by the studio – and so it remained out of circulation for decades, until the massive Marx revival of the 1970’s. Thus, I’d guess, if you’re a fan and over 60, you may not have seen this one for a while – but come on, you’ve had plenty of time to catch up to its greatness. Continue reading

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The Set of 400: #33 – My Favorite Lightning Umbrella

Today! Because rather than try to fix this problem, it’ll just be easier if everyone remains in space –

WALL·E (2008)

Directed by Andrew Stanton

Starring Ben Burtt, Elissa Knight, Jeff Garlin (x2), Fred Willard (x2), John Ratzenberger (x8), Kathy Najimy (x3), Sigourney Weaver (x6), Donald Fullilove (x4), Laraine Newman (x3)

The glorious summer of 2008 returns with the greatest animated film of all time. That’s right, the top dog in the entire game. You might be sputtering and muttering about all the wonders of Dumbo right now, but stuff it! You might want to rage about how Spirited Away is criminally underseen and deserves more recognition, but save that snobby tripe for someone else! You might want to go on about how Inside Out is clearly Pixar’s masterpiece, and…you might have a point. It wasn’t eligible for this list. But as far as the vast history of animated cinema up to the end of 2013 is concerned, it’s WALL·E at the mountaintop.

Sure, it doesn’t hurt that it is my favorite animated film – #33 is as high as the genre managed – but this wasn’t one that needed to grow on me. I’ve been saying almost since the first time I saw it that WALL·E was the best I’d ever seen, and that hasn’t really changed since (again, except for maybe Inside Out, and maybe the Into the Spider-Verse movie). But anyone who tells you that the golden age of animation was the old world Disney classics (e.g. Bambi, Cinderella, Song of the South) or the ’90s revival (Aladdin, Lion King, er, Hercules) is too stuck in the past to argue with. The Pixar run from 2003 to 2010, which included Finding Nemo, The Incredibles, WALL·E, Up, Ratatouille, and Toy Story 3 (and Cars) is the golden age of cartoon films.

But (just to emphasize) not because of Cars

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The Set of 400: #34 – My Favorite Origami Paris

Today! Because you’re waiting for a train, a train that’ll take you far away –

Inception (2010)

Directed by Christopher Nolan (x3)

Starring Leonardo DiCaprio (x6), Joseph Gordon-Levitt (x3), Ellen Page, Tom Hardy (x2), Marion Cotillard (x3), Michael Caine (x6), Ken Watanabe, Cillian Murphy (x2), Tom Berenger, Pete Postlethwaite (x2), Lukas Haas (x3), Dileep Rao

The two greatest summer moviegoing spectacles of the last twenty years both came from the same director, within two years of each other. And this was the second – a head-trippy, effects masterpiece tackling concepts of love, loyalty, aging, and family, and high powered explosives, crashing trains, and weightless fisticuffs. Inception is so spectacularly high concept that it doesn’t seem like much would’ve needed to happen to derail this film into nonsense and self-parody, but in the capable hands of Christopher Nolan – the greatest popcorn movie director this side of Spielberg – it delivers marvelously.

I realize denigrating Nolan as a “popcorn” director is hugely unfair, but even Spielberg eventually got the retroactive credit he deserved for his crowd pleasing efforts (once he made dour war pictures and the like, because apparently that’s the path one needs to take for respect). No doubt in the next 8 to 10 years Nolan will make the somber, awards-sweeping masterpiece that’ll have to be mentioned alongside his Batman movies and Memento and Inception – hell, it was almost Dunkirk – but for now we can content ourselves with the knowledge that we’re living through one of the greatest stretches of cinematic bombast from a hugely talented auteur in history. And as great as his other films are, will he ever manage to creatively top Inception? Continue reading

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The Set of 400: #35 – My Favorite Rio Bravo Confusion

Today! Because what’s the point of living in L.A. if you’re not in the movie business?

Get Shorty (1995)

Directed by Barry Sonnenfeld (x2)

Starring John Travolta (x2), Rene Russo (x2), Gene Hackman (x3), Danny DeVito (x6), Delroy Lindo, James Gandolfini (x3), Dennis Farina (x2), Bette Midler, Jon Gries (x3), David Paymer (x4), Renee Props, Martin Ferrero (x3), Miguel Sandoval (x3), Jacob Vargas, Linda Hart, Bobby Slayton, Harvey Keitel (x4), Penny Marshall, Alex Rocco

Ah, movies about movies! Plus, Elmore Leonard! Plus, everyone’s favorite Travolta – the mid-’90s, gigantic star variant! Get out of here with your Vinnie Barbarino! Plus, mobsters! This is a movie I have a huge blindspot on – I’ve had this on the high end of my favorite movies lists for years, and I honestly don’t know if anyone watches or thinks about it anymore.

Figure, the post Pulp Fiction Travolta oeuvre included a bunch of hits, but seriously, when was the last time you watched Phenomenon? Or Michael? Or Broken Arrow? Thankfully he made Battlefield Earth and put an end to this stretch of illogical success, or we might be getting huge Travolta vehicles to this day!

Instead, we now get things like this

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The Set of 400: #36 – My Favorite Million Dollar Wound

Today! Because we was always taking long walks, and we was always looking for a guy named Charlie –

Forrest Gump (1994)

Directed by Robert Zemeckis (x5)

Starring Tom Hanks (x7), Robin Wright (x3), Sally Field (x3), Gary Sinese, Mykelti Williamson, Haley Joel Osment (x2), Sam Anderson, Siobhan Fallon (x3), Afemo Omilami, Michael Jace, Richard D’Alessandro, Dick Cavett (x2), Michael Conner Humphreys, Hanna Hall

To be a fan of Forrest Gump in 1994 was decidedly uncool. This was a year of pretty bad ass, cutting edge cinema – what with Speed and Pulp Fiction and The Shawshank Redemption and True Lies and that baddest ass shouting match in cinema history, #317 Blue Chips. ’94 had it all for bros and dudes alike. And then you had Forrest Gump. Everyone’s mom loved Forrest Gump. The soundtrack was straight out of 1969. It had a boatload of dopey quotes and silly cameos by Elvis and John Lennon. It boiled down all of American history and southern racism into little bite sized comedic nuggets, and then hurled AIDS into the mix just to find an ending. Dammit, Forrest Gump!

This is the same movie where he tells LBJ he got shot in the buttocks!

However, as the years went by, and the general schmaltziness of this movie dissipated once it no longer had to be directly compared to the other films of ’94, Gump sort of rose above its initial impressions. I mean, it was a massive hit in its day, and it won Best Picture against all odds, fairness, and logic, so it’s not like it needed to find an audience or acceptance or anything, but for the slightly snobby guy element, obsessed with the vanguard of exciting new cinema in the early ’90s, Gump was a sugary throwback epic, even for all its fancy special effects. I enjoyed it well enough the first time around, but ’94 was just too much cinematically for a full embrace of this movie. Continue reading

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The Set of 400: #37 – My Favorite Sale at Penney’s

Today! Because I am serious. And don’t call me Shirley –

Airplane! (1980)

Directed by Jim Abrahams (x3), David Zucker (x4), and Jerry Zucker (x3)

Starring Robert Hays, Julie Hagerty (x3), Leslie Nielsen (x3), Peter Graves, Lloyd Bridges (x2), Robert Stack (x3), Kareem Abdul-Jabbar, Stephen Stucker (x2), Jonathan Banks (x3), Barbara Billingsley, Lorna Patterson, Maureen McGovern, Joyce Bulifant, Gregory Itzin (x4), James Hong (x2), David Leisure, Ethel Merman, Jason Wingreen (x2), Jimmie Walker

Does anyone actually watch Airport anymore? Any of the Airport movies? I knew in some vague way growing up that they existed – that Airplane! was a direct parody of those films – but I never saw any of them until I was probably in college. Because those movies are nonsense. Now, by 1980, all four Airport films had been released, so I’m guessing the time was ripe to lambaste those hokey melodramas, but it kinda feels like making a parody of Twilight, no? Like, we all know its garbage, so how to escalate that and make fun of it? This being said, were you to glance at Airport‘s statistics, and found how it was nominated for ten Academy Awards including Best Picture, and figured ol’ Joe for hyperbole, you’d be wrong. The 1970 Oscars were clearly insane.

When you’ve got Dean Martin playing a pilot, no tongue in cheek, you know there are problems

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The Set of 400: #38 – My Favorite Open Heart Cave Surgery

Today! Because that’s how Dad did it, that’s how America does it, and it’s worked out pretty well so far –

Iron Man (2008)

Directed by Jon Favreau

Starring Robert Downey Jr. (x9), Gwyneth Paltrow (x5), Jeff Bridges (x3), Jon Favreau (x4), Terence Howard, Clark Gregg (x5), Leslie Bibb, Shaun Toub, Faran Tahir, Paul Bettany (x3), Peter Billingsley (x2), Samuel L. Jackson (x11), Tim Guinee

There aren’t a lot of years with multiple films still to come on this list, but 2008 leads the way so far as the top 38 are concerned. 1994 still has three – with the next one arriving on Wednesday – and has already seen seven films make it, but 2008 has four in this group starting today. More surprisingly, maybe, is that there have only been three up to this point – #204 Semi-Pro, #322 Role Models, and #352 Be Kind Rewind. Huh! Saving the best for later, I guess!

But man did I love the summer of 2008. I moved to Chicago at the end of May, living within walking distance of a movie theater for the first time in my life – Shoutout to the Webster Kerasotes! Changed hands but not forgotten! – reunited with the girlfriend after 21 months of long distance relationship-ing, reunited with my high school pal Dave, and basically dragged them to see everything that came out, multiple times. I’d like to say that this was just a hectic adjustment period where I overindulged in cinema-going, but no, this just showed me what my life would become here in the big town. Having moved twice since, I still have never been more than an eight minutes walk from a theater.

Can’t find a picture of the outside, and inside the Webster Kerasotes looks like every other theater ever

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The Set of 400: #39 – My Favorite Stolen Necktie

Today! Because everyone who drinks is not a poet. Maybe some of us drink because we’re not poets –

Arthur (1981)

Directed by Steve Gordon

Starring Dudley Moore (x2), Liza Minnelli (x2), John Gielgud (x3), Jill Eikenberry, Barney Martin (x2), Ted Ross, Geraldine Fitzgerald, Anne De Salvo, Stephen Elliott, Paul Gleason (x2), Lawrence Tierney (x3)

I’m not sure how expressly I’ve stated this before, but clearly I’ve got a thing for drinking comedies. I know I’ve referenced my long lost Best Drinking Films list from a MySpace blog – a list I’m sure I have somewhere but still can’t locate – but that was created largely because of my affinity for buffoonish alcoholic adventures on the big screen. This list has featured a bunch of them – mostly teen comedies like #231 American Pie, #348 Road Trip, and #67 Can’t Hardly Wait, but also your #147 Quiet Man, that one scene in E.T. (that’s probably where I mentioned this list before, right?), and now the greatest comic drunk character of all time, Dudley Moore’s terrific soused millionaire layabout Arthur Bach.

Completely underrated as a drinking film (and I now realize hasn’t appeared on this list yet)

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The Set of 400: #40 – My Favorite Piece of the Puzzle

Today! Because if I hadn’t been very rich, I might have been a really great man –

Citizen Kane (1941)

Directed by Orson Welles

Starring Orson Welles (x4), Joseph Cotton (x2), Everett Sloane, George Coulouris (x2), Agnes Moorehead (x2), Dorothy Comingore, Ruth Warrick, Erskine Sanford, Harry Shannon, Ray Collins

In the ballsiest decision since including Casablanca back at #74, today we find ourselves face-to-face with the greatest movie ever made, by loud acclaim, for the past eight decades. And while many all-time greats were omitted from this list and I would venture some are far too boring (e.g. Lawrence of Arabia), grim (Schindler’s List), or generally overrated (Psycho) to make any respectable favorites countdown, Citizen Kane nonetheless lands in this very strong position thanks to the sheer entertainment value of the undeniable masterpiece.

“But,” I can hear you asking, “where the hell do you get off?” Which is fair. I weirdly feel that to see Kane is to love it and recognize its brilliance, but that alone doesn’t immediately propel it to the top of a Favorites list. However, there’s nothing wrong with this movie – nothing whatsoever – plus I’ll contend it doesn’t even really have slow, dull, only-mildly-interesting parts. The direction and general visual construction of the piece negates that as a possibility. Say you don’t really give a damn about Charles Foster Kane – maybe he’s just too much a Trumpian asshole to really invest your emotion with – you still have to marvel at the gorgeous cinematography, the thoroughly inventive editing and use of sound, the borderline amazing scene transitions, and the wonderful acting across the board. Maybe all the flashing back and forth in time gives you cinematic whiplash – the driving documentary style narrative still manages to lay the plot out neatly and steadily march us through his life story. Maybe you can’t see Agnes Moorehead without thinking of Bewitched – that’s fair, there’s no work around for that.

I would argue there’s nothing wrong with being reminded of Bewitched, lustily and often

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The Set of 400: #41 – My Favorite Free Bowl of Soup

Today! Because I got that going for me, which is nice –

Caddyshack (1980)

Directed by Harold Ramis (x2)

Starring Chevy Chase (x4), Rodney Dangerfield, Michael O’Keefe, Bill Murray (x9), Ted Knight, Cindy Morgan, Sarah Holcomb (x2), Scott Colomby, Brian Doyle-Murray (x5), Ann Ryerson, Albert Salmi, Elaine Aiken, Henry Wilcoxon, John F. Barmon Jr.

I’m guessing the main reason I didn’t see Caddyshack for long time was that I’d seen Caddyshack II first. And while to a ten year old II’s nonsense retread antics aren’t all that bad – oh, that funny gopher! Dan Aykroyd! Jackie Mason! Kenny Loggins’ “Noboby’s Fool”! – it obviously isn’t a movie that would inspire you to seek out others in the series (plus it thankfully murdered any concept of this becoming a franchise). So while I certainly caught heavily edited glimpses of the original, it was probably high school before I finally watched the whole bawdy golf masterpiece in all its glory.

I’ll admit, Caddyshack is a bizarre conglomeration of stuff that only barely holds together as a movie. The original concept just centered on the caddies, easily the weakest and most forgettable part of the final film, and probably recognizing this they enhanced the roles and importance of all the high caliber comedians brought in (you’d assume) to bolster this plot. Thus you end up with the disparate stylings of Rodney Dangerfield – never better than as boorish new club member Al Czervik, Ted Knight’s permanently outraged Judge Smails, Chevy Chase’s best non-Griswold creation of slick golf whiz Ty Webb, and the king himself, Bill Murray in the basically unscripted groundskeeper/gopher antagonist role of Carl, whose every line has probably found its way onto a t-shirt by now.

Lord knows I’ve got my share

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The Set of 400: #42 – My Favorite Barbershop Quartet

Today! Because that’s nothing, I once waited a whole year for September –

The Muppets (2011)

Directed by James Bobin

Starring Jason Segel (x3), Amy Adams (x2), Steve Whitmire (x6), Eric Jacobson, Dave Goelz (x6), Bill Barretta (x3), Matt Vogel, Peter Linz, David Rudman (x2), Chris Cooper (x3), Rashida Jones (x3), Jack Black (x6), Alan Arkin (x6), Zach Galifianakis (x2), Bill Cobbs (x2), Mickey Rooney, Ken Jeong (x3), Jim Parsons, Kristen Schaal (x2), Sarah Silverman (x3), Donald Glover, Emily Blunt, James Carville, Whoopi Goldberg (x6), Selena Gomez, Dave Grohl, Neil Patrick Harris (x2), John Krasinski, Judd Hirsch (x2), Rico Rodriguez, Eddie Pepitone (x2)

Man, it is disconcerting seeing full-body Muppets with legs, right? Like, sitting is okay, but standing like that? Gah! Muppets on bicycles is such a cool trick that it was never visually an issue seeing their whole body, so why is the above picture so strange? And this was an actual poster for the movie – maybe not the most common one, but still!

It’s pretty ingenious puppeteering!

The 2011 Muppet film was the first big screen adventure for the gang in twelve years. They’d popped up in a bunch of TV specials, and started a pretty decent YouTube channel for music videos and song parodies and the like, but the days of major pop culture relevance were long behind them. Thus, when rumors started that there was this new, glossy Disney film with big stars attached and one-half of Flight of the Conchords doing the songs, I was excited but pretty skeptical. Would this actually see the light of day? Could a new Muppet film truly come to pass? There have been whispers of a Fraggle Rock movie for over a decade now, so it’s not like these things tend to materialize. And serious, the best Muppet product from the previous decade was a somewhat nausea-inducing Playstation game, Muppet Race Mania, so what kind of hope could I have?

Significant as being Frank Oz’s last full project with the Muppets, it was also a pretty fun game.

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The Set of 400: #43 – My Favorite Party of the First Part

Today! Because you should have come to the first party. We didn’t get home until around four in the morning. I was blind for three days –

A Night at the Opera (1935)

Directed by Sam Wood (x2)

Starring Groucho Marx (x6), Chico Marx (x6), Harpo Marx (x6), Margaret Dumont (x3), Kitty Carlisle, Allan Jones (x2), Sig Ruman (x5), Walter Woolf King (x2), Edward Keane, Robert Emmet O’Connor, Billy Gilbert (x2)

So if you want to get really technical, the Marx Brothers have three distinct periods of their film career – The terrific Four Marx Brothers years (’29 through ’33) and the mediocre Three Marx Brothers years (’38 to ’49), bookending the shortest but most successful period, the two film set of great Three Marx Brothers pictures under Irving Thalberg, A Night at the Opera and A Day at the Races. They are no longer the zany, joke-heavy antics of the early films, plus the romantic lead duties have fallen to non-relative Allan Jones, in lieu of Zeppo. There are more songs, slightly more runtime, bigger budgets thus larger set pieces, and far bigger box office receipts at Thalberg’s MGM than their Paramount films before or RKO/UA/non-Thalberg MGM ones later.

A Night in Casablanca was a disappointment on all fronts

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The Set of 400: #44 – My Favorite Prince Myshkin Shoutout

Today! Because he was a better dresser than Churchill! He had more hair! He told funnier jokes! And he could dance the pants off of Churchill!

The Producers (1968)

Directed by Mel Brooks (x6)

Starring Zero Mostel (x3), Gene Wilder (x5), Dick Shawn, Kenneth Mars, Lee Meredith, Christopher Hewett, Andreas Voutsinas, William Hickey (x4), Renee Taylor (x2), Estelle Winwood (x2), Barney Martin, Madelyn Cates

You know I love me some movies about plays, and really stagey ones at that, and so – The Producers! While it would take decades for Mel Brooks’ classic to actually make it to Broadway, it should come as no surprise that it made the leap pretty seamlessly. The entire first half hour of the movie is just Zero and Gene’s one room shtick to set up the plot – and wildly funny shtick it is. And with the exception of a handful of NYC street scenes, it’s just one room after another hosting wacky characters and even wackier theatrics. A few of his other films would grab Oscar nominations, but The Producers is the reason Mel is rocking that EGOT – winning Best Screenplay in 1968, as well as Best Musical, Best Book of a Musical, and Best Original Score for the stage version in 2001 (He also won Grammys for Producers related work, but already had one on the shelf for The 2000 Year Old Man in the Year 2000 as Best Comedy Album).

Just to wrap this up, he also won three Emmys for Guest Comedy Actor on Mad About You, and one for writing on a Sid Caesar special in the ’60s

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The Set of 400: #45 – My Favorite Enchantment Under the Sea

Today! Because the way I see it, if you’re gonna build a time machine into a car, why not do it with some style?

Back to the Future (1985)

Directed by Robert Zemeckis (x4)

Starring Michael J. Fox (x4), Christopher Lloyd (x6), Lea Thompson (x3), Crispin Glover, Thomas F. Wilson (x3), James Tolkan (x5), Claudia Wells, Marc McClure (x4), Wendie Jo Sperber (x2), George DiCenzo (x2), Frances Lee McCain, Casey Siemaszko (x2), Billy Zane (x4), Donald Fullilove (x3), Jason Hervey (x2), Harry Waters Jr.

I mean, come on, you don’t know anyone who doesn’t like Back to the Future, right? Even with the incestuous overtones and the general lack of effects-heavy science-fictioning going on, it’s still one of everyone’s top sci-fi films ever made. It’s a little dated, sure, but it was such a towering staple of the ’80s that it gets a pass for the anachronistic jokes and references. Pepsi Free? Come on! By the time I first saw this movie – as I mentioned before, years after it had come out – I didn’t even know what the hell Pepsi Free was.

Wait a minute, there was a Diet Pepsi Free? Now I really don’t understand what it was

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