Tag Archives: Estelle Winwood

The Set of 400: #44 – My Favorite Prince Myshkin Shoutout

Today! Because he was a better dresser than Churchill! He had more hair! He told funnier jokes! And he could dance the pants off of Churchill!

The Producers (1968)

Directed by Mel Brooks (x6)

Starring Zero Mostel (x3), Gene Wilder (x5), Dick Shawn, Kenneth Mars, Lee Meredith, Christopher Hewett, Andreas Voutsinas, William Hickey (x4), Renee Taylor (x2), Estelle Winwood (x2), Barney Martin, Madelyn Cates

You know I love me some movies about plays, and really stagey ones at that, and so – The Producers! While it would take decades for Mel Brooks’ classic to actually make it to Broadway, it should come as no surprise that it made the leap pretty seamlessly. The entire first half hour of the movie is just Zero and Gene’s one room shtick to set up the plot – and wildly funny shtick it is. And with the exception of a handful of NYC street scenes, it’s just one room after another hosting wacky characters and even wackier theatrics. A few of his other films would grab Oscar nominations, but The Producers is the reason Mel is rocking that EGOT – winning Best Screenplay in 1968, as well as Best Musical, Best Book of a Musical, and Best Original Score for the stage version in 2001 (He also won Grammys for Producers related work, but already had one on the shelf for The 2000 Year Old Man in the Year 2000 as Best Comedy Album).

Just to wrap this up, he also won three Emmys for Guest Comedy Actor on Mad About You, and one for writing on a Sid Caesar special in the ’60s

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The Set of 400: #164 – My Favorite Blind Butler

Today! Because conversation like television set on honeymoon – unnecessary –

Murder by Death (1976)

Directed by Robert Moore (x2)

Starring David Niven, Maggie Smith (x2), Peter Sellers (x4), Peter Falk (x4), Elsa Lanchester, James Coco (x3), Alec Guinness, Eileen Brennan (x2), Estelle Winwood, James Cromwell (x2), Nancy Walker, Truman Capote, Richard Narita

Neil Simon’s epic comedy mashup of legendary 20th century mystery novel sleuths is half brilliant, half standard Neil Simon-esque jokes, with a like 20% horribly racist overlay. It was the ’70s, and I know that’s no great excuse, and you had master of accents and buffoonery Peter Sellers as Charlie Chan-lite Sidney Wang, but that’s also no great excuse. Wang has some funny lines – not just funny accent bits – but it’s not for today’s audience, I’ll readily admit that.

However, Niven and Smith as Dick and Dora Charleston, Peter Falk’s Sam Diamond, James Coco’s Monsieur Perrier, and Elsa Lanchester’s Jessica Marbles take off wonderfully on Nick and Nora, Sam Spade, Hercule Poirot, and Miss Marple. The plot revolves around a secluded mansion where the detectives have been gathered to solve a murder by their host Lionel Twain, the ultimately murdered man, played fairly tongue-in-cheek by Truman Capote. It’s absurdist zaniness, with the house functioning very much as a character itself, moving rooms at will and facilitating numerous attempts on the detectives’ lives. It’s basically a wilder take on Clue, just ten years earlier and with only one ending. Continue reading

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