Tag Archives: Truman Capote

The Set of 400: #10 – My Favorite Waste of Cocaine

Today! Because Max is a good name for you, Max –

Annie Hall (1977)

Director: Woody Allen (x12)

Starring: Woody Allen (x9), Diane Keaton (x6), Tony Roberts (x3), Paul Simon, Carol Kane (x5), Shelley Duvall (x4), Christopher Walken (x3), Colleen Dewhurst, Janet Margolin (x2), Marshall McLuhan, John Glover (x5), Truman Capote (x2), Jeff Goldblum (x6), Johnny Haymer, Beverly D’Angelo (x2), Tracey Walter (x4), Sigourney Weaver (x8), Hy Anzell

The twelfth and final Woody Allen film on this list, Annie Hall has experienced the most precipitous fall of any movie on this continually updated countdown in recent years. Sure, it is still clinging to a spot in the top ten, almost out of sheer memory for how much and how long I’ve enjoyed it, but as I’ve mentioned many times on this list, my relationship with Woody has changed dramatically in recent years, and this beloved classic is taking the biggest hits.

You may wonder how that can be, considering it’s still in 10th – well, for the longest time, this was a top four movie of mine, maybe three on occasion. If the wife and I could be said to “have a movie” – like normal couples have songs or, I don’t know, pizza toppings – our movie for over a decade was definitely Annie Hall. It was something we could both agree on, and became a sort of de facto Valentine’s Day thing to watch. This extended to a lesser degree to other Allen films of the era – Manhattan most notably – and being that I was already a big fan of the director, I could bring up his movies as something to watch without worry. We were working on watching them all at one point, working backwards from the present, when this new round of allegations really took hold and the wife checked out for good.

Our standard pizza toppings are half pepperoni/half green peppers, incidentally

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The Set of 400: #164 – My Favorite Blind Butler

Today! Because conversation like television set on honeymoon – unnecessary –

Murder by Death (1976)

Directed by Robert Moore (x2)

Starring David Niven, Maggie Smith (x2), Peter Sellers (x4), Peter Falk (x4), Elsa Lanchester, James Coco (x3), Alec Guinness, Eileen Brennan (x2), Estelle Winwood, James Cromwell (x2), Nancy Walker, Truman Capote, Richard Narita

Neil Simon’s epic comedy mashup of legendary 20th century mystery novel sleuths is half brilliant, half standard Neil Simon-esque jokes, with a like 20% horribly racist overlay. It was the ’70s, and I know that’s no great excuse, and you had master of accents and buffoonery Peter Sellers as Charlie Chan-lite Sidney Wang, but that’s also no great excuse. Wang has some funny lines – not just funny accent bits – but it’s not for today’s audience, I’ll readily admit that.

However, Niven and Smith as Dick and Dora Charleston, Peter Falk’s Sam Diamond, James Coco’s Monsieur Perrier, and Elsa Lanchester’s Jessica Marbles take off wonderfully on Nick and Nora, Sam Spade, Hercule Poirot, and Miss Marple. The plot revolves around a secluded mansion where the detectives have been gathered to solve a murder by their host Lionel Twain, the ultimately murdered man, played fairly tongue-in-cheek by Truman Capote. It’s absurdist zaniness, with the house functioning very much as a character itself, moving rooms at will and facilitating numerous attempts on the detectives’ lives. It’s basically a wilder take on Clue, just ten years earlier and with only one ending. Continue reading

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