Tag Archives: Tony Roberts

The Set of 400: #180 – My Favorite Freedonia Shout-Out

Today! Because what if there is no God and you only go around once and that’s it. Well, don’t you wanna be part of the experience?

Hannah and Her Sisters (1986)

Directed by Woody Allen (x5)

Starring Mia Farrow (x4), Michael Caine (x3), Barbara Hershey, Woody Allen (x4), Diane Wiest (x2), Max Von Sydow (x2), Carrie Fisher (x3), Maureen O’Sullivan, Lloyd Nolan, Daniel Stern (x2), Julia Louis-Dreyfus, Lewis Black, Julie Kavner (x2), J.T. Walsh (x5), John Turturro (x2), Richard Jenkins (x3), Fred Melamed (x2), Joanna Gleason, Sam Waterston (x2), Tony Roberts (x2)

With one of the best casts ever assembled, Hannah and Her Sisters in a lot of ways is the perfect Woody Allen movie. He made better ones, and he made funnier ones, but this is the rare hybrid between family drama and neurotic comedy, neatly packaged together as one film. Really, there are two plots running alongside each other, knitted together by featuring the extended family of sisters Hannah (Farrow), Holly (Wiest), and Lee (Hershey). Being a Woody Allen film, the B plot is entirely him – as Hannah’s writer ex-husband Mickey, going through a mid-life crisis where he may be dying of a brain tumor (this is the funny half!). The A plot features Hannah’s current husband – Michael Caine’s Elliot – in his escalating disenchantment with their marriage and his lust for sister-in-law Lee. Even this breakdown isn’t entirely fair, as they split time on these stories pretty evenly, plus a good amount of time spent on Wiest’s hilarious Holly, but the Elliot/Lee/Hannah portion does occupy with the emotional center of things.

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The Set of 400: #358 – My Favorite Genital Surprise

Today! Because you’ve got to be a fucking Rembrandt to put on makeup –

Switch (1991)

Directed by Blake Edwards

Starring Ellen Barkin, Jimmy Smits, JoBeth Williams, Lorraine Bracco (x2), Tony Roberts, Perry King, Lysette Anthony, Catherine Keener, Bruce Payne, Jim J. Bullock, Tea Leoni, Michael Badalucco, Victoria Mahoney, Basil Hoffman

Not to be confused with the Bateman/Aniston film of the same name plus a TheSwitch was another cable staple of mine from the early ’90s, and man, the characters largely do not hold up. It’s a bunch of ’80s chauvinist dudes and vengeful, bitchy women thrown into a light-hearted Blake Edwards romp. It’s as 1991 as a movie can feel. Oh hey, and our second jaunt through ’91 in three days! I told you it’d get some love!

So while a lot of the antics are dated and borderline offense in retrospect, the reason this movie retains a spot on this big list is wholly Ellen Barkin’s tremendous performance, as the murdered jerk Steve reincarnated (that’s not really the right word – transmogrified, I guess?) as a woman, in order to find any women who liked him, and thus get into heaven. Don’t worry about the plot, it wildly doesn’t try to make sense. And while it does pay some quick service to how hard it is to be a woman in this asshole-prism of a man’s world, this is mostly an excuse for dude-trapped-in-a-hot-woman’s-body hijinks, of which there are many. The early promise of Barkin’s career never totally panned out – even though she’s had a fairly solid run in movies and TV, by and large – but I’d have to say this is her best overall performance. And it carries this film through its awkward twists and turns and bar fights. Continue reading

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