Tag Archives: Adam Sandler

The Set of 400: #212 – My Favorite Tom from MySpace Cameo

Today! Because you’re my best friend, and I don’t even like you –

Funny People (2009)

Directed by Judd Apatow

Starring Adam Sandler (x3), Seth Rogen, Leslie Mann, Jonah Hill (x4), Eric Bana (x2), Aziz Ansari (x2), Jason Schwartzman (x3), Aubrey Plaza, RZA, Torsten Voges, Eminem, George Coe, Maude Apatow, Iris Apatow, Wayne Federman, James Taylor, Andy Dick (x3), Nicole Parker, Nydia McFadden, Charles Fleischer (x3), Carol Leifer (x2), Paul Reiser (x2), George Wallace, Norm MacDonald, Dave Attell, Sarah Silverman, Ray Romano, Justin Long (x3), Maggie Siff

This is forever my go-to example of a one-half amazing movie. There are certainly others – American Beauty jumps to mind, swerving into awesomeness halfway through, after that turgid opening hour – but this movie is an anomaly in that it appears separate film concepts were slammed together into a single piece, producing a movie that is at the same time insanely too long and way too brief in either of its disparate parts.

I guess this was supposed to be Judd Apatow’s masterpiece, and he almost got there. With 40 Year Old Virgin and Knocked Up both terrific all-out comedies, he opted to laden this ostensible laugher with a grim, awards-baiting terminal illness subplot. That’s not so bad – all of that happens in the wonderful first half of the movie, which deals primarily with the world of stand-up comedy, and does it better than any other film in history. But then it goes really far afield into a locked-in family dramedy, losing most of the goodwill and momentum built up in the opening half.

The great Sandu

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The Set of 400: #300 – My Favorite Healthy Choice Pudding Promotion

Today! Because I don’t know if there is anything wrong because I don’t know how other people are –

Punch-Drunk Love (2002)

Directed by Paul Thomas Anderson (x3)

Starring Adam Sandler (x2), Emily Watson, Philip Seymour Hoffman (x2), Luis Guzman (x2), Robert Smigel, Mary Lynn Rajskub (x2)

Paul Thomas Anderson’s smallest movie also easily qualified as his weirdest, until Inherent Vice came on the scene twelve years later. But this one is still pretty odd – Sandler (at his unhinged drama-comic best) plays a thoroughly damaged novelty item warehouse manager who simultaneously begins a relationship with a solidly damaged British women, while also contending with that most typical of film villains – scurrilous phone sex operators. He’s also got half a dozen sisters and periodically flies into violent rages, often at the expense of innocuous public restrooms or sliding glass doors.

The film features a weirdly wonderful use of color throughout

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The Set of 400: #368 – My Favorite My Fair Lady Appropriation

Today! Because without slippy-flippies or angry masturbating I don’t see how that’s possible –

Anger Management (2003)

Directed by Peter Segal

Starring Jack Nicholson, Adam Sandler, Marisa Tomei, Luis Guzman, John Turturro, Lynne Thigpen (x2), Kurt Fuller, Krista Allen, Woody Harrelson, January Jones, Kevin Nealon, Alan Covert, Jonathan Loughran, Nancy Walls, Heather Graham, John C. Reilly (x2), Harry Dean Stanton, Bobby Knight, John McEnroe, Derek Jeter, Roger Clemens

And we’ve wandered into the guiltiest of my pleasures (which sounds awfully gross in that phrasing) – Adam Sandler movies. While I enjoy the vast majority of them, you won’t see a ton of them in the days to come, because they’re largely an interchangeable group of films starring the same people, behaving in the same ways, so it’s tough to differentiate. But this one has Jack the Actor.

I remember having a very late night argument about who was the greatest actor in film history about a dozen years back, with them taking DeNiro and me backing Nicholson and I still feel I’m right in that comparison, even if, come on, Daniel Day-Lewis is the greatest, let’s face it. Not to rag on DeNiro – that guy used to be great – but he hasn’t given an even halfway decent performance in anything in about twenty years. Sure, Jack is more or less retired, but I can’t think of an occasion where he totally phoned in a film. Plus, I once heard the argument that if you were casting an Odd Couple movie today, you could easily stick Jack in either main role, and that just resonated as defining truth to me. No? It should be more complicated than that? Probably. Continue reading

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