Tag Archives: Mary Lynn Rajskub

The Set of 400: #300 – My Favorite Healthy Choice Pudding Promotion

Today! Because I don’t know if there is anything wrong because I don’t know how other people are –

Punch-Drunk Love (2002)

Directed by Paul Thomas Anderson (x3)

Starring Adam Sandler (x2), Emily Watson, Philip Seymour Hoffman (x2), Luis Guzman (x2), Robert Smigel, Mary Lynn Rajskub (x2)

Paul Thomas Anderson’s smallest movie also easily qualified as his weirdest, until Inherent Vice came on the scene twelve years later. But this one is still pretty odd – Sandler (at his unhinged drama-comic best) plays a thoroughly damaged novelty item warehouse manager who simultaneously begins a relationship with a solidly damaged British women, while also contending with that most typical of film villains – scurrilous phone sex operators. He’s also got half a dozen sisters and periodically flies into violent rages, often at the expense of innocuous public restrooms or sliding glass doors.

The film features a weirdly wonderful use of color throughout

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The Set of 400: #348 – My Favorite French Toast

Today! Because I could teach Japanese to a monkey in 46 hours –

Road Trip (2000)

Directed by Todd Phillips

Starring Breckin Meyer, Seann William Scott, DJ Qualls, Tom Green, Amy Smart, Paulo Costanzo, Rachel Blanchard, Anthony Rapp, Horatio Sanz, Fred Ward, Andy Dick, Ethan Suplee (x2), Ellen Albertini Dow (x2), Mary Lynn Rajskub, Todd Barry, Matt Walsh (x2)

This stupid load of gross-out jokes and sex gags came along at just the right time to still find itself on this list. Summer 2000 figures smack dab in the middle of my epic baccalaureate run (Keystone Giants shoutout!), and this bullshit nonsense about a bunch of dudes driving from Ithaca to Austin to recover some hastily made sex tape (relateable premise!) features just enough mind relaxing elements so as to not harsh the party atmosphere of ’00 in my life. Sure, it was marketed as a Tom Green flick, even though he doesn’t factor into the main plot at all, and the commercials emphasized the boobs over almost anything, but there is actually a lot of solid comedy to be found here. Even today, as I rapidly approach middle age and have less in common with every character in this film than I ever did before. Continue reading

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