Tag Archives: Michael Keaton

The Set of 400: #205 – My Favorite Microwaved Spray Paint

Today! Because mistletoe can be deadly if you eat it –

Batman Returns (1992)

Directed by Tim Burton (x3)

Starring Michael Keaton (x3), Michelle Pfeiffer, Danny DeVito (x4), Christopher Walken, Michael Gough (x2), Michael Murphy (x4), Pat Hingle (x2), Vincent Schiavelli (x4), Andrew Bryniarski, Jan Hooks (x2), Steve Witting, Paul Reubens (x3), Cristi Conaway

A superhero outing aggressively not holding up, Batman Returns was basically my favorite movie when I was 12 years old. I’d been waiting three years for the next Bat-adventure, and where this manner of suspense might raise expectations far higher than a film could reach nowadays, back then it just functioned as a way to excuse a lot of their choices. We finally had another Keaton/Burton Bat-flick! And it had the Penguin! And Catwoman! And…Christopher Walken in a ridiculous wig!

And style-wise, it’s still a pretty cool movie. Between the Christmas setting, the weirder, twistier sets than the first movie, Michelle Pfeiffer’s super dramatic eye makeup, and a marked increase in the Tim Burton-ness of the design, it’s a sequel that takes off in bizarre other directions, while still maintaining the overall gloom and moodiness set in place by the original.

Maybe it’s not so much the make up as all the time spent on that hair!

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The Set of 400: #282 – My Favorite Grapevine

Today! Because you have violated my farging rights –

Johnny Dangerously (1984)

Directed by Amy Heckerling

Starring Michael Keaton (x2), Marilu Henner, Joe Piscopo, Danny DeVito (x3), Maureen Stapleton, Griffin Dunne, Peter Boyle (x2), Ron Carey, Ray Walston (x2), Dick Butkis, Dom DeLuise (x2), Richard Dimitri, Glynnis O’Connor, Alan Hale Jr., Carl Gottlieb (x2), Bob Eubanks, Jack Nance, Chuck Hicks, James Coco, Joe Flaherty (x3), Vincent Schiavelli (x2)

This zany gangster movie parody from the mid-’80s was another heavy rotation film in my house growing up, again for reasons I simply can’t explain. Before I knew him as Beetlejuice or Batman, Michael Keaton was Johnny Kelly, brother of D.A. Tommy Kelly, who morphs into good-natured mob figure Johnny Dangerously, the man whose last name is an adverb. And while the movie may not totally hold up as the years wear on, it still has a ton of great one-liners, and a load of terrifically funny performances, no matter your opinion of Joe Piscopo.

From equally good-natured mob boss Jocko Dundee (Peter Boyle) to psychotic mob hitman Danny Vermin (Piscopo!) to The Pope (Dom DeLuise), yes, the movie is a bit all over the place. Essentially a Mel Brooks style parody of the ’30s mobster/cop brothers film Manhattan Melodrama, Dangerously throws a ton of gags at you, with varying success, but with this many pro comedians on hand, more land than they probably have any business of doing. And yet, amidst all the Marilu Henners (as the lounge singer moll Lil) and Maureen Stapletons (as the Kelly brothers long suffering Ma), the movie is probably best remembered (if it’s remembered?) for the extreme Italian gangster stereotype character of Roman Moronie (played by Richard Dimitri), who hilariously mangles English curse words into “you fargin’ icehole” and “som-a-nom-batches,” and later gets deported to Sweden, despite not being from there.

“Say your prayers, icehole”

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The Set of 400: #393 – My Favorite Mentally Ill Buddy Picture

Today! Because who dares to tow the van of the living Christ?

The Dream Team (1989)

Directed by Howard Zieff

Starring Michael Keaton, Christopher Lloyd, Peter Boyle, Stephen Furst, Lorraine Bracco, Philip Bosco, James Remar, Dennis Boutsikaris, Milo O’Shea

My second favorite Michael Keaton film of 1989! Released two and a half months before Batman, Keaton was coming off the bizarre ’88 double feature of Beetlejuice and Clean and Sober when this insane asylum road trip hit theaters. I’m pretty sure I saw every Keaton movie of the era once the big black bat came into my life, and this weird little comedy has stuck around through time. His exaggerated Randle P. McMurphy bit (and alongside Cuckoo’s Nest alum Lloyd too!) is fine, but the best parts belong to Boyle’s messianic former ad man Jack and Lloyd’s delusional faux doctor Henry. Like a lot of ’80s comedies, they shoe horn in a gritty plot to give the thing a purpose, besides get lost and be crazy on their way to the ballgame – it’s something about corrupt cops – which all gets resolved fine in the end. Just to digress, do you remember the whole thing about there being, like, cocaine in a diaper bag in Three Men and a Baby? And there are shootouts and shit in that movie? Why the hell couldn’t it have just been those assholes taking care of that baby? Continue reading

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