Today! Because to her dumb country ass, Compton is Hollywood. Closest she’s ever been anyway –
Jackie Brown (1997)
Directed by Quentin Tarantino (x2)
Starring Pam Grier (x2), Samuel L. Jackson (x5), Robert Forster (x2), Robert De Niro (x3), Bridget Fonda, Michael Keaton (x7), Chris Tucker (x2), Michael Bowen (x2), Tiny Lister (x2), LisaGay Hamilton, Hattie Winston, Sid Haig
To say I had been looking forward to Jackie Brown is woefully understating the situation in late 1997. It had been three years – three long formative years – since Pulp Fiction came out, and my whole cinematic outlook had gone through aggressive changes. I mean, going from 15 to 18 years old is going to have its own inherent alterations in lifestyle and tastes, but as I’ve said before, most of my film watching preferences were psychically embedded during this period of time. And PF was as close as anything to the heart of this transformation, so Tarantino finally bringing us his third film was a cause for celebration. Hell, it was a landmark event. It was the goddamn moon landing.
Never mind it was the return of national treasure Pam Grier
Today! Because I don’t want one position, I want all positions!
The Fifth Element (1997)
Directed by Luc Besson
Starring Bruce Willis, Milla Jovovich, Gary Oldman (x3), Chris Tucker, Ian Holm (x2), Luke Perry, Tiny Lister, Brion James, Lee Evans, John Neville, Charlie Creed-Miles, John Bluthal, Maiwenn
Luc Besson’s follow-up to The Professional, The Fifth Element is a crazy cartoon of a movie. A wildly twisted sci-fi film, but I think it’s safe to say this movie is more a comedy than anything else, right? Like, with all the effects (so many effects!) and weird aliens and shooting and explosions, what do you really take away from this film? Ruby Rhod’s crazy cylindrical hairdo! How Gary Oldman’s Zorg’s head would sort of…leak black stuff? Former wrestler Tiny Lister playing the president! “Multipass!” It’s all pretty bonkers.
One of the five best sci-fi hairdos ever?
And it’s just terrifically entertaining. The fact that for decades the only significant English language films Besson made were The Fifth Element and The Professional (which share very few similarities, besides some light moments and Oldman) is pretty astounding. Besson would more recently make Lucy (a decent if forgettable hit) and Valerian and the City of a Thousand Planets (a colossal misfire, apparently aimed at the sect of the population who thought the Star Wars prequels were awesome [and shut up, I only like The Phantom Menace!]), but that’s about it, directing-wise. But what a great start! Continue reading