Tag Archives: Paul Dooley

The Set of 400: #213 – My Favorite Hockey Rink Striptease

Today! Because they brought their fucking toys with them!

Slap Shot (1977)

Directed by George Roy Hill

Starring Paul Newman, Michael Ontkean, Strother Martin, Allan F. Nicholls (x2), M. Emmet Walsh (x3), Melinda Dillon (x3), Swoosie Kurtz (x2), Paul Dooley (x3), Jennifer Warren, Jerry Houser, Ned Dowd, Lindsay Crouse, Jeff Carlson, Steve Carlson, David Hanson, Yvon Barrette, Andrew Duncan

It’s not much of a controversial stretch to declare Slap Shot as the best hockey movie ever made. That’s not a terribly deep well  to draw from. But how about one of the best team sports films of all time? Oh ho, now we’re getting somewhere! Team sports are tough to pull off in a dramatic film – so many characters, hard to focus on individual achievements. But sure, there’s some – Hoosiers, Miracle, The Natural. Sport comedies, however, are way better in a team setting. And coming on the heels of 1976’s Bad News Bears, they rolled out this hard R rated, violent, vulgar hockey flick that became the blueprint for everything from Major League to North Dallas Forty to Dodgeball to Kathy Ireland kicking field goals in Necessary Roughness.

It’s not a perfect film, but it was a deeply 1991 film

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The Set of 400: #365 – My Favorite Octopus Punch

Today! Because this is a fight to the finish. The first man who’s dead loses –

Popeye (1980)

Directed by Robert Altman

Starring Robin Williams, Shelley Duvall, Paul L. Smith, Ray Walston, Paul Dooley, Bill Irwin, Richard Libertini, Donovan Scott, Roberta Maxwell, Allan F. Nicholls, Donald Moffat, Linda Hunt, David Arkin

A pretty roundly savaged film in its day, Popeye almost single-handedly ruined Robert Altman’s career. By the standards of the time, it was kind of a bomb, and it received a bunch of year-end Worst Movie joke nominations and wins. Yikes! And I’ll admit, it’s not a film that totally works – Altman’s style mixed with very child-friendly humor and some pretty cheap looking octopus effects does leave you a little bewildered at the aims of this movie. There are a bunch of Harry Nilsson songs that are silly but okay, but feel kinda jammed in haphazardly all over the place.

But this is a movie I watched to death as a kid, and can still get a lot of enjoyment from – Robin Williams’ sailor man is solidly funny, Paul L. Smith followed up his terrifying role in Midnight Express with a less menacing but equally imposing turn as Bluto, and the supporting group of Pappy, Wimpy, Castor Oyl, et al are solid in their roles. But come on, if there’s any one person to point to for the watch-ability of Popeye it’s Shelley Duvall as Olive Oyl. She’s so perfect in the part that it not only gives the movie some much needed heart, it actually creates some genuine authenticity in the goings-on. Authenticity isn’t the right word. Believability? That’s not a word. Reality? It helps to engender an actual reality in the madness of Sweethaven.

Your MVP – Shelley Duvall!

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