Today! Because he may posture, so as to reveal his gaudiest nuptial plumage, spread his tail and erect his crest or inflate brilliantly colored pouches or parade, dance, fly with dizzying acrobatics, sing his most fetching love song –
Brewster McCloud (1970)
Directed by Robert Altman (x4)
Starring Bud Cort (x4), Sally Kellerman (x3), Shelley Duvall (x2), Michael Murphy (x5), Rene Auberjonois (x3), John Schuck (x3), Stacy Keach, William Windom, Margaret Hamilton (x2), Jennifer Salt, Bert Remsen (x3), G. Wood, Corey Fischer
In going through a big tear of Robert Altman movies a few years ago – upon realizing that while I’d seen his most acclaimed movies, he made a ton of other films ranging from well regarded to strongly recommended curiosities – I finally tracked down a copy of what I remembered vividly from video stores when I was a kid. I always confused the title with a western – I’m guessing John Wayne’s McLintock or the Dennis Weaver TV show McCloud – but the tape cover was as above – this kid flying inside a dome, and it always stuck with me. And so began my love affair with the wholly original – even inside the Altman canon – Brewster McCloud.
Cort and Duvall are typically wonderful
Today! Because we switched a whole study course from the menace of Communism to the inspiration of Hazel Flagg –
Nothing Sacred (1937)
Directed by William Wellman
Starring Carole Lombard (x3), Fredric March (x2), Walter Connolly, Charles Winninger, Sig Ruman (x2), Frank Fay, Margaret Hamilton, Maxie Rosenbloom, Charles Lane, Sidney Kibrick, Hattie McDaniel (x2), Hedda Hopper, Jinx Falkenburg, Billy Barty
The movie that kicked off my 2018 marathon of every existing Carole Lombard feature (all 42 of them), Nothing Sacred inspired this endeavor by functioning as the purest example of Lombard-led screwballery. The other (spoiler alert) four Lombard films on this list all feature an equally effective leading man performance, be it Fred MacMurray or Jack Benny or William Powell, but Fredric March is just big name window dressing in this all-out Lombard vehicle. She plays small-town Hazel Flagg, incorrectly diagnosed with a rapidly terminal illness, who is quickly whisked away to New York City by an unaware, enterprising reporter hot for a human interest story. Hazel can’t help but get caught up in the attention and glamour, and obvious issues arise when more and more people find out about this deception.
It’s a real rock ’em sock ’em affair