Tag Archives: Guy Pearce

The Set of 400: #265 – My Favorite Dora the Explorer Wristwatch

Today! Because I build neat stuff, got a great girl, occasionally save the world –

Iron Man 3 (2013)

Directed by Shane Black

Starring Robert Downey Jr. (x4), Gwyneth Paltrow, Ben Kingsley (x2), Guy Pearce (x2), Don Cheadle, Jon Favreau (x3), Rebecca Hall, James Badge Dale, Paul Bettany, William Sadler, Miguel Ferrer, Dale Dickey, Stephanie Szostak, Mark Ruffalo (x2), Ty Simpkins

While there are probably more superhero movies on this list than one can be proud of, there isn’t a ton from the Marvel Cinematic Universe. Most of the better ones simply aren’t eligible yet – even then, I’ve got some issues with the general overall direction of things, as I assume some people do these days. No? Just me?

The highlight of the series for me, still, are the Iron Man films, and basically the Iron Man/Tony Stark character. Thor took a long time to get interesting, Captain America has had good movies but by himself is just okay, The Hulk is great in short bursts but there’s a reason they haven’t tried a third big screen iteration yet – no, Tony Stark is the whole reason any of this works. It’s the deciding factor in choosing The Avengers over Justice League, very generally. (In fairness, I didn’t love Infinity War, and as of this writing none of that has been resolved. But I’m not watching DC movies anymore either, except the Wonder Womans I guess.)

Like, come on, when there’s another Spider-Man sequel already scheduled, I’m not all that upset about his “death”

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The Set of 400: #347 – My Favorite Tattoo Clues

Today! Because we all lie to ourselves to be happy –

Memento (2000)

Directed by Christopher Nolan

Starring Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Stephen Tobolowsky (x3), Thomas Lennon (x2), Mark Boone Junior, Callum Keith Rennie, Jorja Fox

A singularly great film, Memento bestowed on the world the inestimable gift of Christopher Nolan – the closest thing to Spielberg since Spielberg, but operating with a decidedly adult bent in his giant feature films. From its twisty, complex screenplay to the wildly inventive, imaginative direction, to the whole story unfolding with increased tension suspense backwards through the plot – there really has never been anything else quite like it. As much as I might enjoy some other Nolan films more, and think one or two to be legitimately better, he is unlikely to make anything more technically impressive than Memento. Okay, Dunkirk is pretty stunning as well. Nolan is a master of the first order, is what I’m saying.

Saving Private Ryan wishes it was Dunkirk

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