Tag Archives: Roberts Blossom

The Set of 400: #69 – My Favorite Half-Faced Sunburn

Today! Because I know this sounds crazy, but ever since yesterday on the road, I’ve been seeing this shape –

Close Encounters of the Third Kind (1977)

Directed by Steven Spielberg (x8)

Starring Richard Dreyfuss (x2), Melinda Dillon (x4), Teri Garr (x2), Bob Balaban (x3), Francois Truffaut (x2), Roberts Blossom (x3), Cary Guffey, J. Patrick McNamara, Warren J. Kemmerling, Philip Dodds, Lance Henriksen (x3), George DiCenzo

This movie was way too boring for us as kids. Like, I knew it existed, and from seeing the tape cover at the video store I knew there were aliens in it eventually, but whenever I caught a few minutes on TV it was always Richard Dreyfuss doing crazy shit in his house and a bunch of lab coat types in foreign crowds with loud music and singing and none of it made any sense. I don’t know for sure when I finally sat and watched the whole thing, but I want to say it was at least high school or later. Having grown up on alien adventure flicks, nothing about Close Encounters interested me for a long, long time.

Roy was just a little too looney tunes for us kids

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The Set of 400: #169 – My Favorite Glowing Doorknob

Today! Because I made my family disappear –

Home Alone (1990)

Directed by Chris Columbus

Starring Macaulay Culkin, Joe Pesci (x2), Daniel Stern (x3), Catherine O’Hara (x3), John Heard (x2), Devin Ratray, Roberts Blossom (x2), John Candy (x7), Gerry Bamman, Larry Hankin (x2), Kieran Culkin, Terrie Snell, Bill Erwin (x2), Billie Bird, Hope Davis, Ken Hudson Campbell, Jim Ortlieb, Ralph Foody, Angela Goethals

Featuring the best comedic child acting performance ever, Home Alone is a very strange Christmas movie, when you step back and look at it. Like, people have this whole “Is Die Hard a Christmas movie?” debate, because it is just an action movie set at Christmas, but blow-for-blow, Home Alone is a way more violent movie than Die Hard. I mean, it’s definitely a Christmas movie, without question, far more than Die Hard is, no matter what you think, but if what holds the John McClane epic back is the full-on explosive thrill ride-ness of the whole thing (and that there’s nothing “Christmas-y” about it), then how are we just giving Home Alone a pass?

Here we are as in olden days/Happy golden days of yore

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