Tag Archives: Henry Daniell

The Set of 400: #136 – My Favorite Coin Pudding

Today! Because the misery that is now upon us is but the passing of greed, the bitterness of men who fear the way of human progress –

The Great Dictator (1940)

Directed by Charlie Chaplin (x2)

Starring Charlie Chaplin (x2), Paulette Goddard (x2), Jack Oakie, Henry Daniell (x3), Reginald Gardiner, Billy Gilbert, Grace Hayle, Maurice Moscovitch

The first Charlie Chaplin film I remember seeing, The Great Dictator was no easy sell – I mentioned this quickly in To Be or Not to Be, but Dictator had a variety of issues stateside and abroad when the movie was in production. First, they began shooting in 1937, years before Germany would invade France and kick off WWII, so many were still calling for appeasement at all costs and were anti-intervention. England announced they would ban The Great Dictator when they learned of its production, despite Chaplin’s continued huge star status and this notably being his first all-talking motion picture (Modern Times still had large silent sections in 1936). Many groups pressured Chaplin to abandon the film altogether, afraid it would further inflame Hitler and the Nazis. It was a weird, brief period in history, and thankfully production ran so long on this movie that by the time it came out, public opinion had swung, the war was underway, and The Great Dictator was largely embraced with the classic status it now enjoys. Continue reading

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The Set of 400: #291 – My Favorite Nazi Heckler

Today! Because it’s help me or help the Nazis –

Sherlock Holmes and the Voice of Terror (1942)

Directed by John Rawlins

Starring Basil Rathbone, Nigel Bruce, Evelyn Ankers, Reginald Denny, Henry Daniell, Leyland Hodgson, Mary Gordon, Hillary Brooke, Thomas Gomez, Montagu Love, Harry Cording

The best of the Rathbone/Bruce Sherlock Holmes series with the updated World War II setting, and the only one on this list, The Voice of Terror has a standard mystery film of the era title – The Voice of Terror? What? And like many of the later films in the series (and by later, I mean everything after the first two), this one appears to have been cranked out on the cheap, skimping on sets and run time to maximize the efficiency necessary to churn out multiple movies a year.

However, they stumbled into a pretty effective yarn with Voice of Terror. Based loosely on the original Doyle story “His Last Bow” and the real-life adventures of the Nazi villain Lord Haw-haw (!), this third movie in the group (and the first at Universal, after leaving the big budgets of 20th Century Fox) concerns the government bringing Holmes in to help identify the source of the terrorist radio broadcasts of the Voice, announcing major British setbacks at the hands of the Nazis seemingly as they happen. There are a load of suspects – Holmes quickly figures a member of the illustrious war council may be behind this plot – and plenty of stock footage utilized to depict catastrophes far and wide in Great Britain.

This dude’s wrist is a key plot point

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