Tag Archives: Ciaran Hinds

The Set of 400: #226 – My Favorite Telephone Bomb

Today! Because there is no peace at the end of this –

Munich (2005)

Directed by Steven Spielberg (x3)

Starring Eric Bana, Ciaran Hinds (x2), Daniel Craig, Geoffrey Rush, Mathieu Kassovitz, Hanns Zischler, Ayelet Zurer, Michael Lonsdale, Mathieu Amalric, Lynn Cohen

A great movie almost completely undone in audience’s minds by the bizarre choices in the finale, Munich at first glance appears to be a meditation on hate in the world, and the lengths good people go to in efforts to provide security and peace to their nation. But in reality, it is a straightforward action yarn, a vengeance thriller unlike pretty much any other, and a true story (-ish) to boot. And yes, it ends with the most awkward sex scene ever filmed.

That is one sweaty Bana, ladies and gents

Continue reading

Leave a comment

Filed under Movies

The Set of 400: #380 – My Favorite Milkshake

Today! Because I am the third revelation! I am who the Lord has chosen!

There Will Be Blood (2007)

Directed by Paul Thomas Anderson

Starring Daniel Day-Lewis, Paul Dano, Ciaran Hinds, Kevin J. O’Connor, Dillon Freasier, Paul F. Tompkins, Jim Downey, Jim Meskimen

There are a handful of directors that to this day I run out and see whatever they make, no questions asked, no matter the subject matter, cast, reviews, or anything. Basically since 1997, Paul Thomas Anderson has been at or near the top of that list. And There Will Be Blood, while not my favorite, might be his best film. That glorious opening half hour! Daniel Day-Lewis commanding his way to a second Oscar! Paul Dano, coming off Little Miss Sunshine, but with so much dialogue! The titanic struggle for the town’s soul! The backstabbing! The milkshake! It’s not a particularly fun movie, but goddamn is it compelling.

Anderson’s later films have gotten tougher on audiences, and it started right around here. The plots became less and less important, as the atmosphere and tone took center stage. Movies like Inherent Vice, The Master, and The Phantom Thread became harder to follow, motivations got weirder, and the level of interpretation required grew exponentially. I enjoy these movies from the perspective of cinematic study, but they don’t make for easygoing afternoons at the cineplex. That’s not their intention, and I’m not saying it should be, but I worry that Anderson’s deserved wide acclaim will elude him so long as his films continue down this path. He is easily in the discussion of being the world’s greatest living director, but would your average moviegoer be able to acknowledge this? He’s an American Jean-Luc Godard living in an age of J.J. Abrams. Continue reading

2 Comments

Filed under Movies