Tag Archives: Young Frankenstein

The Set of 400: #30 – My Favorite Brain Depositary (After 5:00 Slip Brains Through Slot in Door)

Today! Because my grandfather’s work was doo doo!

Young Frankenstein (1974)

Directed by Mel Brooks (x7)

Starring Gene Wilder (x6), Marty Feldman (x3), Peter Boyle (x3), Teri Garr (x3), Cloris Leachman (x5), Madeline Kahn (x8), Kenneth Mars (x2), Gene Hackman (x4), Richard Haydn, Liam Dunn (x2), Oscar Beregi Jr., Danny Goldman

No one can be dead certain about what movie they’ve seen the most times in their life. How could they be? Unless you’ve undertaken some quest to make a film your most watched – like the stories of people watching Pirates of the Caribbean on Netflix every day for a year, or my wife with the first X-Files movie – how could you possibly know? And while I believe I’ve thrown out contenders for this title in this list so far – and am still fairly confident I haven’t seen anything more than the original Star Wars – quite possibly second or third is this, Mel Brooks and Gene Wilder’s crowning achievement. I can’t even say for sure why or how this happened – sure, my parents really liked this movie, that helped to get it on the television a lot growing up, but why did we want to watch this black and white horror film parody, when we couldn’t possibly understand the references, and the jokes were likely over our heads as well?

Well, being a Mel Brooks movie, there is a bunch of kid-appealing stuff in this send-up of the old Universal Frankstein pictures, most directly the often overlooked third movie, Son of Frankenstein. Lots of funny accents, lots of throwaway sight gags and sound cues (The cat getting hit by the dart!), some pretty zany characters who are funny no matter what they say (pretty much everyone in this movie, but especially Marty Feldman’s Igor and Kenneth Mars’ one-armed Inspector Kemp), plus the generally cool design. Even if there’s a fair amount of shtupping going on – even in the edited TV version, apparently! – and some old timey references (“Pardon me, boy – is this the Transylvania station?”), we still liked it well enough. Like Blazing Saddles, this strikes me as something that was kind of forced on us until we grew to enjoy it.

Everything Mars does in this movie is amazing

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